dyr #51 : Fire Tripper

Is love predestined? Can love transcend time? Can you recognize a soul male in the most unexpected place? If you can answer yes to these three questions then you have an amazing life and partner and understand a higher level of law of attraction. Let’s look at a love story that transcends space and time but, watch out for fire or explosions as we enter the world of Fire Tripper.

FT_1The first entry in Rumiko Takahashi’s Rumik World OVA series, 1985’s Fire Tripper represents what I love about the so-called queen of comedy mangaka. True she is well known for her long, very long, series that are some of the most popular titles in all of anime… I want a show of hands of those of you who love Urusei Yatsura, Maison Ikkoku, Ranma 1/2 or InuYasha? While these shows are classic, I personally like her shorter tales. And the Rumik World collection are perfect gold for me. Give me Maris the Chojo, Laughing Target, Mermaid Forest or… Fire Tripper. Also… give me a more serious storyline (I’m melancholic in temperament).

FT_2Suzuko is your typical schoolgirl except for two things. One, her best friend and next door neighbor is a little boy named Shu. Shu adores Suzuko like an older sister and her nature toward him is almost maternal. And two, in the presence of being caught in an explosion and fire, Suzuko can… travel through time. No, seriously. In one of these explosions she is transported back to the medieval civil war where she meets a tough young man named Shukumaru who has an adopted sister named Suzu. As the plot unfolds it turns out that Suzuko and Suzu share a bell necklace and that Shukumaru has the same scar as young Shuhei. Do I see a pattern here?

FT_3So… sorry to spoil the plot here kids, but these two individuals have known each other in two distinct eras of time as young children and the older senpai type relationship. Now with the passing hands of destiny, they can meet each other during the primes of their youth and realize their connection is meant to be. I may have written it out here as a little corny or staged, but trust me if you have not seen Fire Tripper it is farther from the truth. What we see is the growth of what seems like two completely incompatible people learning to look beyond the proverbial first impression.

FT_4Historically speaking, at least for me, Fire Tripper was the first production of Rumiko Takahashi that I gave a chance to. I was never too big on Ranma’s comedic antics and I tried a couple episodes of Urusei Yatsura, but did not feel like watching the near 200 episode count. Fire Tripper would fall on my lap one day and like destiny so to speak I fell in love instantly. And from there I would move onto Maris the Chojo and Mermaid Forest, my two favorites by Takahashi. So now I realize why Madame Takahashi is held in high regard. I just needed the proper medium at the right time so to speak.

When looking back at all the anime that has been created, we often find many a diamond in the rough. Many shine brightly, or uniquely on their own accord. In the course of time loves shines above all and Fire Tripper shines like no other… ‘Shine on You Crazy Diamond’.

dyr #50 : Windaria

Windaria_1When it comes to animated fairy tale or love stories, at least here in the west, Disney seems to have cornered the market. Everything ends happily ever after and no matter what good triumphs over evil. What would Shakespeare or the Ancient Greeks think of this? For every day there is a night. Love stories are as much about the pain and hardships of being authentic towards your true feelings. And in 1986, the year Studio Ghibli debuted Castle in the Sky, another film would show the strife and complexity of love, war and honesty. The beautiful shojo masterpiece known as Windaria.

Windaria_2Ask me what is the best animated film from Japan during the 1980s and I will always pick Windaria. Early Ghibli films are great, Akira was amazing and Macross: Do You Remember Love is my version of the Super Bowl, but Windaria is special. Very, very special. A product of my beloved Kaname Production, this 1986 gem is a film that is overlooked to the point of being a crime. I see it as an allegory of not following one’s truest desires or feelings and letting the environment dictate your life. It reminds me of a quote from an obscure movie about the composer Gustav Mahler, “Do things out of love and not duty, Duty destroys, duty always destroys.” And we see this concept through the eyes of two pairs of lovers caught up in a land on the brink of an impending war.

Windaria_3The first set of lovers are the more idealized in the tradition of fairy tale story telling. Princess Ahnas of Itha lives in a seaside paradise. She is carefree and beautiful, but she is also worried. Tensions with the neighboring kingdoms of Paro are begining to escalate. And this becomes a personal issue because she is in love with Jill, the prince of Paro. Neither of our young lovers want to see war and hope to create a bridge of peace, but much like Romeo and Juliet their star crossed love has a difficult road. And when the respective royalty on both sides pass their authoritative powers on, our couple has to decide which decision is of more importance. Is it their love and their hopes for the future, or their duty as members of the royal court to uphold their honors as heads of state?

Windaria_4Complimenting our royal duo is another young couple of more common origins. Izu and Marin are farmers in the neutral territory between Itha and Paro and their lives revolve around selling of their crops. primarily to Itha, and giving respect to their land by praying to the giant tree in their land known as Windaria. The one problem is with Izu, as he desires to be something more than a common farmer. His insecurity and angst shows his feelings that he is not good enough, but for Marin this is not the case. She loves him for who he genuinely is and cares nothing of what others expectations are. Despite this, Izu decides that he must do something to prove he is special and gets involved in the upcoming war. Just how this will this affect his relationship with Marin in the end?

Windaria_5Windaria is a tale of love and responsibility and in many ways is as I have stated above, the inverse of what a traditional Walt Disney film is. Our heroes have to face consequences for their actions and everything does not tie up nicely at the end. It is one of the saddest films I have ever seen, even on a par with Grave of Fireflies, but a little different. Even with all the tragedy, Windaria stands as one of the most beautifully made films in anime and what makes it that way is the gentleness that rides under the current of the madness. What we have is a cautionary tale, much like the true telling of The Little Mermaid, and often times the lessons we learn the hardest often are the ones that eventually make us open our eyes to see the beauty of what you truly have. Never forget the beauty of what you have in front of you and take care of yourself and your environment, because they are interdependent.

I will always hold Windaria high in my regard for the beauty of the story, the music, the haunting yet serene beginning sequence and the tear filled ending. Films like this only come to fruition on rare occasion and their impact is second to none. And lastly, thank you Kaname Production for producing this film. I have always loved the work you all have done and Windaria is a magnun opus you should be most proud of.

afternote: This has been released in the west as an edited film known as Once Upon a Time. I am not here to judge, but from what I have heard and read it is not a genuine retelling. Just be aware in case you come across a copy of this film with an English dub.

 

dyr #49 : Kimagure Orange Road: Shonen Jump Special

KORSJ_1Kimagure Orange Road has been a back burner title for me for about the past decade and a half. As I am currently making my way through the TV series I came to a thought about a little piece of KOR that I watched a couple years ago for one of my panels. The pilot episode/film from 1985. While it had been two years I played the 25 minute piece again recently and before I can speak about the 1987 TV series as a whole, I can at least give a little of a thought on this short piece. My only question is why did I wait so long to get around to Kimagure Orange Road? Who knows?

KORSJ_2Upon going back to this little rarity I am happy to have the familiarity of the basic premise and character names as when I first watched this two years ago I went in completely blind of everything that is KOR. The basic premise is our cast enjoying some sort of getaway to Okinawa and in typical Kimagure fashion there are follies and comediac fun mixed in with the sun and surf atmosphere. Kyosuke really likes Madoka, a whole lot, and they are both friends with Hikaru and she has an open crush on Kyosuke. Add in Yuusaku, who is really likes Hikaru and has serious jealously towards Kyosuke, and Kyosuke’s cousin Kazuya, who is a little bit of a stinker. If you are familiar with the manga or the main anime this is old hat information, but this love polygon is the main plot element. Plus Kyosuke and his family’s esper abilities… say what? And the nice thing is that those supernatural parts only compliment the story as the more subtle comedy is the real thing to behold.

KORSJ_3Was this a promo piece for the manga that ran in Shonen Jump or… wait… Shonen Jump like the magazine that ran fighting series such as Fist of the North Star, Dragon Ball, or Saint Seiya? Yeah, seems there was more variety back in the yonder days of the 1980s. Anyway promo or movie is a bit of information that I don’t know for sure. Perhaps die hard fans know more and in time I am sure the information will fall in my lap like a ton of bricks. It looks similar to the anime though they look a couple years younger from the designs (my opinion) and the usual voice cast of the TV series is also absent. Which is no biggie, but I do miss hearing Tōru Furuya as Kyosuke.

As I work my way to the finish of the TV series I will make a comment on it because I really am liking the show. But until then, check out this short title. I mean seriously it is only a half hour. It’s an easy investment 🙂

dyr #43 : Vampire Hunter D

Vampire Hunter D is plain and simple, a horror movie… NO… a western. True there are no cowboys, etc. like in a traditional western, but it has all the elements and style of a these films. Only claiming this movie is a horror flick is completely untrue. Yes there are vampires and beasts and lots of gothic references, but still it’s a classic western in the style of Shane where our hero comes in to town to do the business of saving the innocent and has to leave because his destiny is the road less traveled. The road of the one and only… Vampire Hunter D.

VHD_1D himself is an interesting character. Tall, dark and handsome with a glint of danger in his eyes that also show a humanity that is rare to come by. Kind of like Kenshiro of Fist of the North Star or maybe Captain Harlock, D is an example of restraint. Your Clint Eastwood or Gary Cooper type, where being on the road is your destined life. And that destiny is difficult as he is a mixed breed, the dhampir, or the mix of the vampire with a human. Not only is he an outcast, but he hunts down his vampire lineage. So the title is self explanatory, he is ‘Vampire Hunter D’. And while on this road he meets a girl who requires a hunter due to the fact that she was a victim of a vampire, one Count Magnus Lee. In a soft spoken fashion, he agrees to help.

VHD_2This simple farm girl named Doris Lang lives on a farm with her brother Dan and the news of her being bitten by something so ‘unholy’ and ‘unclean’ makes her not to popular in town. The only exception is the playboy son of the mayor Greco, what a douchebag. But with D by Doris’ side she feels a strong sense of security. And the security is needed as the Count sends his daughter Lamika and the fighter Rei Ginsei right of the bat. The action begins and more monsters and adventure awaits. But D also has a partner… in his left hand. One of the creepiest and odd characters I have ever seen, but so cool. Although I would not want some face looking thing in my hand. just my preference.

VHD_3Let me return yet again to Fist of the North Star. The director for both that series and film and this movie is Mr. Toyoo Ashida. His sweeter character designs can be seen in both, though D and a majority of the characters definitely take after the originals of Yoshitaka Amano’s gothic androgyny. The plots for both series are similar and well they can both be a little bit violent. Though the violence in both I agree to be a part of the situation at hand and the story and are not just for pure disgust and shock, like say Violence Jack or M.D. Geist. D is after all a vampire hunter and that job is not one that is clean and tidy. Overall as a movie it is good and entertaining, but far from perfect. As a favorite during the old days of VHS, this was a part of the limited diet of consumption that we had here in the west. It’s still worth a watch, but don’t let nostalgia blind you. But as a popcorn action flick, it’s a gem. And that cheesy English dub from Streamline Pictures has merit and character.

VHD_4If there is one theme ever present… well maybe two that kind of go hand in hand are romance and sexuality. This is a vampire flick and the concept of these blood suckers deals with the ideas of sexual desire and gratification. Both of which the Count and D both possess, but in different ways. The Count feeds on these desires, like a rabid animal he is never satisfied and craves more and more. D, as the definition of restraint, painfully represses his tendencies and desires, which makes even simple intimacy difficult. He after all has to be above the desires for lust and conquest because his human half gives him a conscience. But that conscience and higher calling of morality sacrifices true love as Doris would soon see. She loves D and D loves her, but he can’t fall victim to the lower instinct of sexual liaison as mere conquest. He shows affection through loyalty instead.

Vampire Hunter D is unique in it’s setting and environment. And as I have said before, think of it like a western and question why we don’t have more tales like this with a horror post apocalyptic bend instead of the usual ‘cowboy’ movie. My only advice is to watch out for anything that may go bump in the night. Don’t get bit now, unless that is your thing 😉

dyr #27 : The Rose of Versailles

rov1I’ve got my cake and I am eating it too! The French Revolution was a time of insanity. Political overthrow, bloodshed and ideals permeated the landscape of 18th century France. Fast forward to 1970s Japan, mangaka Riyoko Ikeda would pen a story of love, politics and gender identity into this historic environment. Historically accurate, hardly, but a passionate soap operatic historic shojo masterpiece, indeed. Liberté, Egalité, Fraternité live on forever and ever in The Rose of Versailles.

rov2The house of de Jarjayes is expecting a child. This military family of the commander of the Royal Guard expects, no, demands a son, but alas a beautiful baby girl is delivered instead. In haste General de Jarjayes demands that this child be raised as a boy instead, after all a male heir is crucial. This child christened Oscar Francois de Jarjayes (say it three times fast, isn’t French a sexy language? L’amour!) is our heroine and by the time she comes of age she becomes the guard for a future future queen of France, Marie Antoniette (a.k.a. spoiled brat). Who says being born into nobility or privilege is an advantage? There is always a price.

rov3Oscar without question has too be one of, if not the most honored, strongest and most well rounded female characters in anime or otherwise. And beautiful as well… flaunt that hair. And with issues as well, being forced to be a man, when she is definitely a woman and has natural feminine tendencies that cannot be repressed. Trans peeps you know what I am talking about! One of my favorite moments that highlight this idea was when Oscar went to a ball and rid herself of the military uniform to wear a gorgeous gown and have all her hair done up. She looked damn good, I remember cheering at the top of my lungs… Go girl go! And she stole the show at the ball and yet no one knew it was Oscar. After all Oscar is just a boyish soldier… yeah hardly.

rov4And of course there has to be love interests. The first being her childhood friend, a commoner, André. Now these two are one good looking couple, imagine the children if things could have been. Andre is genuine, honest and always supportive to the woman he loves. Contrast this to ‘Mr. Captain von Handsome’ himself (I need to trademark that), the blonde Swede aristocrat who also has feelings for Madame Oscar as well, Hans Axel von Ferson (actually a real person as well). He is also a decent soul, but the dude needs to decide Oscar or Ms. Antoniette (brat). Of course he has pedigree over André, but where does Oscar stand? You going with the nice country boy or the sophisticated suave dude?

rov5Production was done by the awesome TMS (Tokyo Movie Shinsha) and two directors held the high post of being in charge. Tadao Nagahama, who is noted for the Robot Romance Trilogy (great mecha!), began the series and in traditional fashion told a very straight forward and emotional story. Sadly at about half way through production, he would succumb to a fatal case of hepatitis leaving the director’s chair to go to one of the masters, Osamu Dezaki. With more intense lighting, triple takes and pastel stills in hand (all signature to Dezaki) the show became even more dramatic all the way to the tragic ending.  Osamu Dezaki equals genius (can you tell I am a fan?). From start to finish it is 40 episodes of win; a soap opera turned up to 11. All those who are nice get a little pushed over by those who are a bit too arrogant. Madame du Barry I am looking at you! I looked up bitch in the dictionary and there was a portrait of her… no surprise 😉

For those of you in Europe I am envious that you got this show amongst many others as well back in ye olden days. Icon may be the best word to describe The Rose of Versailles. But also yardstick as well. No show can equal it before or after and true there have been elements borrowed in other shows, but it’s not The Rose of Versailles. Great shojo or otherwise have to measure up to this gem. The Rose of Versailles est très belle et magnifique. J’temps beaucoups!

dyr #15 : Touch

touch1A one hundred episode plus series is no small feat, in both the production and the stamina for one to stay the course in finishing it. Some series continue on and on and on and on (I can think of many a Shonen Jump title) with no real end and then, keep on going due to the fact that the popularity and economic factors are ever strong. Then other series have set endings and go on to a cult like status of being crowned the “greatest anime ever made” (Legend of the Galactic Heroes, great yes, greatest depends on one’s point of view). And then there was one show from 1985 based off of manga by Mitsuru Adachi that told a story over a four year time span that was one of the most beloved and popular series of it’s time; it could even still hold its viewer records today, kind of like M.A.S.H. I now present my favorite long runner, at a total of 101 episodes, Touch.

touch2Touch has nothing fancy to show. The designs are flat and plain. The setting is mundane and ordinary. What you see is what you get and what you get comes up to the surface so strong that it shows where the real value stands in the characters, story and pacing. Touch is a coming of age high school series concentrated on the Usegi twins: Kazuya (soft spoken, hard working, popular and determined) and Tatsuya (aloof, insecure, not popular and a slacker with hidden talents he shies away from with a mask of bravado) and their best friend who has lived next door since child birth, Minami Asakura, who both boys love dearly. And baseball as the glue that holds it all together. The supporting cast is just as strong although I wished you got to know more of the players on the Meisei High School team a little better. A few get spotlighted, but again they are the backing to the the twin boys. A shonen series without rivals would not be much and you get a good cross section including: goofy Terishima, chivalrous Nitta, jealous Yoshida and the cruel Coach Kashiwaba. And then you have Punch, the funniest, most mischieveous dog ever (my opinion, never knew dogs could laugh so well)? But none hold a candle to the gentle giant Harada. True he may look like a tough guy, but his real skill is being a therapist to the unsure Tatsuya (future Psych major?).

touch3Gameplay when shown is intense, the character relationships are honest, the sad moments bring massive tears and the ending, though a little open ended as of course the characters lives will go on, is solid to close this chapter on the lives of our heroes’ youth. If only all our youths were this ideal and in almost in a way… perfect? But nothing in truth is perfect. Sometimes we lose those we love, we questions our abilities, we wonder if we will ever be brave enough to face loving another, or we just are not sure what we are doing. All of this is in Touch and the trio of our main cast I could see in myself when I look in a mirror. When a show becomes so personal as if it is family, you know you have encountered something rare. Some series you watch because you want to, and then there are those which make you wonder what took you so long to get around to it? But when the time comes time to taste the flavors of something slow, gentile and personal, it can almost feel like being in love with someone special. And for me Touch was and still is beyond special.

Touch also reaffirmed another love I have and that is for the game of baseball itself. Not following a MLB franchise and being a jock-like individual, but the fact that it is a great game with dynamics and strategy that gets lost in the tribal mentality of many fans. Touch reminds me of, but is not completely similar to the movie Field of Dreams. Again a story using baseball as the glue that holds the narrative of several characters redeeming their talents or relationships. We all deserve that one time in the sun, be it in the case of Field of Dreams: a chance to bat once as a professional, re-pursuing your writing, or the reconnection and understanding between a father and son. For Touch, it is Tatsuya getting his time to show that he is not without possibility, untalented, or unloved. Sometimes passion takes time, a little guidance and a moment to just give in to fate. I for one know that to be true in regards to areas of my life.

touch4.jpgI cannot not recommend this show to anyone. I truly do love this show and loved watching it from one to 101. It took me a long time to get around to it, but presenting the anime of 1985 in a panel gave me the opportunity. It is one of those shows that for me, reaffirms my love of anime and shows that you have yet to see all the really good stuff. And as an older fan sometimes I get tired of all the flash and dazzle of fantasy, sci-fi and/or high production values. Sometimes I want a show like a glass of lemonade on a hot day or a hug from mom, real comfort food. Because sometimes, after all, simple is best.

dyr #14 : The Little Mermaid

This movie has been with me for a long, long time. In a previous posting I mentioned that this was one of my foundation anime that began everything that has led me to this point. To be honest at the time of this writing, I am dealing with a lot of unresolved issues throughout my life and I need something to help me give a good cry. Forget Grave of Fireflies, if I have a bad day and require to curl up in bed with a warm blanket and a lot of homemade popcorn and need some ‘comfort food’ I pull The Little Mermaid. True I can go with Windaria, or Farewell Space Battleship Yamato, but to be honest… the nostalgia runs very deep and when you have a feeling of being wounded, nostalgia feels beautiful.

lm1Lots of love always goes to Disney’s version. I remember when it was brand new in the theaters and eventually home video, rocking the VCR. Ariel defined a generation as Disney came back strong after years of releasing films that did not attach significantly with audiences. And that’s because films need to make a lot of money to be successful? In any case my sister was all over the Disney release. And I though now wait a minute, didn’t we see this years earlier? And it looked a lot better (anime art style bias on my part). That and Ariel gets to, in the end, win? WIN! Life happily ever after? Uh, Disney, did you read the source material at all? Did Hans Christian Andersen ever write a happy story? I am sure he did, but every one I have read sure goes with the standard I know well.

LM2.jpgI often think about how much trauma I was subjected to as a child from entertainment. Trauma may not be the right word, maybe a dose of reality outside of a rose tinted fantasy that we all at some time must face the tragic. Watership Down, the death of Optimus Prime and Marina’s final moment all left their mark or memory, but Marina’s is personal. To sacrifice one’s own life knowing that you can never make the other person return the love that one has for another is quite moving. Not to the same extent, but sacrifice is very powerful theme that I love in other anime: Night on the Galactic Railroad, Mawaru Penguindrum and even the end of Mobile Suit Zeta Gundam with Kamille’s loss of sanity.

A few years ago when the death announcement of Kirsten Bishop was all over the news in the anime world, most every one were mourning one of the original dub actors for that mega-hit show known as Sailor Moon. I was also in a state of melancholy, but not for Sailor Moon, but for the movie you are reading about. Kirsten voiced Marina during her teens and that innocent quality of her voice added so much for the character. The dub is not perfect, but her performance for me is pure gold. Kirsten from the bottom of my heart, thank you.

LM3.jpgTruth, in time, can never be hidden. Facing one’s own issues and honoring another’s decision is often painful, but a critical part of growing up. Death is never an answer, but often the experiences we know we can never fulfill end up in a way killing a part of  us inside. Accepting these events, though necessary, is never easy. Such is the value of what many consider only simple a ‘fairy tale’ or ‘children’s story’.

dyr #12 : Tokimeki Tonight

The great thing about doing panels about years of the 1980s is that I end up finding out that I have barely scratched the surface in regards to classic anime. For 2017, I am working on a panel for 1982 which features classics like Space Adventure Cobra, Arcadia of my Youth, and the original Macross (yeah for Macross). And in the process I find undiscovered gems, at least for me, like Tokimeki Tonight (Heart Throbbing Tonight), which I just finished recently finished and enjoyed very much. So what is this shojo comedy all about?

tmt1Ranze Eto is much like your typical teenage girl. She is totally into the boy she sits next to in class, Shun Makable (she always calls him Makable-kun, I thought it was cute), and she has to deal with a rival , the ‘thick eyebrowed’ and conniving Yoko Kamiya. But there is more than meets the eye because Ranze comes from a family of monsters. I mean she does not look like a monster, but ask her parents who are a vampire (her father) and a werewolf (her  mother). And when these two fight, wow, they go way off the wall, but they do love each other and their family. And plain looking Ranze, in time, discovers she has a vampire-like ability where if she bites anything or anyone she transforms into the victim. And don’t worry, no harm is done to any humans or animals as they end up passing out for a while. To transform back, she has to sneeze… pepper please!

tmt3Similar in a way to the Shonen Jump classic Kimaguree Orange Road, as this has a prototypical  love triangle of one boy being fought over by two young ladies (the simple days before harem) and super natural elements, this one is a bit different. First of course it being a shojo, the ‘target audience’ leans the story telling a little different, but the big difference is the elements of horror and mythology. And it works quite well with all these odd elements, but that is just the surface. The real essence is the comedy. And I will give my two cents, I had moments where I was laughing a lot, A LOT! Going in cold on this one, I was surprised with the all out lunacy. Such a funny show. Although I felt after watching episode 26 it got a bit heavy with filler episodes. Episode 26 was such a great climax, but maybe that could be due to popularity extending the series, maybe (it ended after 34 episodes in case you are wondering)? Just my hypothesis. Funny thing this show ended well before the end of the manga, yeah never heard that before.

tmt2And then there are the opening and closing tracks, especially the closer (named Super Love Lotion… kinda kinky?) as it makes you want to dance with that electronic disco beat. Also an interesting observation from me as this show was animated in 1982 because the background artwork reminds me a lot of titles from the early 1970s like the original Lupin III. A little bit on the plain side, but then again this was animated by Group TAC (from my research as they seemed to be the main studio?) and they are also known for their 1985 classics Touch and Night on the Galactic Railroad both of which are a little sparse in the art department, but masterpieces due to the story telling.

Tokimeki Tonight you were a pleasant surprise indeed. I can never give up the faith that there is more gold left in the ground to harvest. Now the only question is… what should I watch next?