#57 : To-Y

Rule number one for rock n’ roll… never, ever, but never, sell out. Rule number two… repeat rule number one. Got that? OK, now let’s move on…

toy_1Here is a common tale about a young man who lived in 1980s Japan. He is a singer in a band and the name of that group was Gasp (note: The ‘A’ is the anarchist symbol when written… that earns 1,000 bonus points from me). A punk quartet they all were and the name of the leader, who this one-off OVA surrounds, as well as the name of this anime title is none other than To-Y (pronounced ‘toy’)… must of had interesting parents.

toy_2Our story begins at a live show where Gasp is playing their hearts out when a rival of To-Y decides to start trouble and the two get into a fist fight. Despite their popularity they are shunned from the venue and the band decides to regroup for their next show which promises to be a big break. To-Y returns homes with what looks like some groupie tag along who eventually meets a beautiful blonde girl who looks very similar to To-Y due to the fact that she is a direct cousin. She of course is a pop star and her manager also managed the boy who started the fight with To-Y. And it seems this manager wants to sign To-Y as well, I wonder what tricks she will try to lure him in (she looks quite dangerous after all)?

toy_3Don’t expect too much of a plot due to the length being under an hour. And… also be prepared for an open ending (I am still scratching my head on this one?). But what you should  be ready for is a production that is filled with style. I mean we are dealing with punk rock, the 1980s and early MTV styled creativity full steam ahead. It’s not a pretty piece, though it caught my eye for sure, but it is a good looking one filled with color and special effect that harken to the period it came from. Never the less, if I can sum up To-Y I would say it is a poor man’s Jem and the Holograms, with the boys being in the band and no sci-fi or holographic transformations (shows over Synergy).

Music is one of my many loves and finding anime that tell stories about young men and women who play instruments and form bands are welcome in my house. Call it wishful fantasy for a guitarist like myself that never quite got a band together, or call it a nice alternative to the usual robots, fighting or magical girls. To-Y is one of those odd ball OVAs that you dig up and for me am happy to have discovered. “Hey, hey. My, my. Rock n’ roll will never die.”

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#54 : Neo-Tokyo

Short collections are always welcome in my world. Anime often becomes a system of stereotypes… Shonen fighters, magical girls, mecha, Ghibli films. All are great, but is this all that there is to Japanese anime? And of course the answer is absolutely not. There is always something of an alternative. Something more artsy, a little bizarre and uniquely it’s own thing. Art for arts sake and without compromise. A true hallmark of that awesome studio known as Madhouse, welcome to the trilogy Manie-Manie Labyrinth Tales, better known here in the west as Neo-Tokyo.

NT_1We begin with my personal favorite, The Labyrinth. Directed by Rintaro, this a feast of visual delight. Rintaro has always been known for being excessive with visuals to the point that what you are watching becomes more important that the story itself. The story is simple here, an imaginative girl who while playing with her lost and found cat gets sucked into a surreal psychedelic ‘labyrinth’ that leads to a circus via a clock. It just goes to show, watch the invitation you receive from Pierrot-type clowns around grandfather styled clocks. I don’t know if this segment has a meaning or point and I don’t care. It’s pure Rintaro and often when I watch his work I just want to bask in it like a painting in a museum. Plus having the music of Erik Satie is a plus for me 🙂

NT_2The second part known as The Running Man is perhaps the most recognized of the trilogy. I believe this had some play on MTV back in the day and it was in the promotional material of Streamline Pictures. This film looks and feels like its creator, Yoshiyaki Kawajiri. He is best known for a lot of seinen action, think Ninja Scroll, but you cannot deny his talent as a character designer. Top notch, meticulous detail exudes in this tale about a reporter who has followed an unbeatable professional racer throughout his career. How has this man survived for so long in this dangerous sport and how long will he last at the top? The action is fast paced, but the sections where it feel that time or movement slows to a grinding halt is where the real drama begins.

NT_3Now to the final segment, I present Construction Cancelation Order. I can sum this one up with one name, Katsuhiro Otomo. It’s Mr. Akira essentially and yes this is a tale where the societal conditions have gone wrong, except this one has a bit more humor. A nerdy salaryman inspector is to visit a construction site in the remote region of South America to essentially shut it down. And that is a tall order as the machines have total control of the situation. And even though the site is in effect falling apart at the seams and abandoned, the worker robots still continue as programmed. Can our faithful inspector do anything to stop this insanity, or is their a way to just get out alive? This reminds me a lot of Otomo’s later work Roujin Z where he shows how letting technology thrive to solve our everyday problem without a safety net can bring disaster and a chuckle or two.

Hold on… we are going back to the first segment again to finish off as a sort of coda. The labyrinth doors closes… The end. Lets gives a round of applause for our three directors everyone.

NT_4So… what does this trilogy of shorts have to do with a title like Neo-Tokyo? Honestly, I can’t see one, except… except that it was most likely borrowed from that contemporary hit film, Akira. As stated, Akira was a license to print money here in the west back in the early 1990s and it’s creator and director Katsuhiro Otomo was associated with the film right off the bat. I am sure the consensus was… we need to find more work that features this guy to cash in on this Akira trend. And of course Neo-Tokyo was prime for the taking as there was not much else out at the time that had Otomo’s name as director on it. Too bad this film is nothing like Akira and that is neither good, nor bad.

A distant cousin to another all time favorite of mine, the beautiful Robot Carnival, Neo-Tokyo is for me darker and perhaps more streamlined. Helmed by three of Japan’s best directors and produced at Madhouse, Neo-Tokyo stands as one of the best examples of how far Japan stretched animation in the 1980s. I often have forgotten about how unique this one was in the past, but that is true no more.

#51 : Fire Tripper

Is love predestined? Can love transcend time? Can you recognize a soul male in the most unexpected place? If you can answer yes to these three questions then you have an amazing life and partner and understand a higher level of law of attraction. Let’s look at a love story that transcends space and time but, watch out for fire or explosions as we enter the world of Fire Tripper.

FT_1The first entry in Rumiko Takahashi’s Rumik World OVA series, 1985’s Fire Tripper represents what I love about the so-called queen of comedy mangaka. True she is well known for her long, very long, series that are some of the most popular titles in all of anime… I want a show of hands of those of you who love Urusei Yatsura, Maison Ikkoku, Ranma 1/2 or InuYasha? While these shows are classic, I personally like her shorter tales. And the Rumik World collection are perfect gold for me. Give me Maris the Chojo, Laughing Target, Mermaid Forest or… Fire Tripper. Also… give me a more serious storyline (I’m melancholic in temperament).

FT_2Suzuko is your typical schoolgirl except for two things. One, her best friend and next door neighbor is a little boy named Shu. Shu adores Suzuko like an older sister and her nature toward him is almost maternal. And two, in the presence of being caught in an explosion and fire, Suzuko can… travel through time. No, seriously. In one of these explosions she is transported back to the medieval civil war where she meets a tough young man named Shukumaru who has an adopted sister named Suzu. As the plot unfolds it turns out that Suzuko and Suzu share a bell necklace and that Shukumaru has the same scar as young Shuhei. Do I see a pattern here?

FT_3So… sorry to spoil the plot here kids, but these two individuals have known each other in two distinct eras of time as young children and the older senpai type relationship. Now with the passing hands of destiny, they can meet each other during the primes of their youth and realize their connection is meant to be. I may have written it out here as a little corny or staged, but trust me if you have not seen Fire Tripper it is farther from the truth. What we see is the growth of what seems like two completely incompatible people learning to look beyond the proverbial first impression.

FT_4Historically speaking, at least for me, Fire Tripper was the first production of Rumiko Takahashi that I gave a chance to. I was never too big on Ranma’s comedic antics and I tried a couple episodes of Urusei Yatsura, but did not feel like watching the near 200 episode count. Fire Tripper would fall on my lap one day and like destiny so to speak I fell in love instantly. And from there I would move onto Maris the Chojo and Mermaid Forest, my two favorites by Takahashi. So now I realize why Madame Takahashi is held in high regard. I just needed the proper medium at the right time so to speak.

When looking back at all the anime that has been created, we often find many a diamond in the rough. Many shine brightly, or uniquely on their own accord. In the course of time loves shines above all and Fire Tripper shines like no other… ‘Shine on You Crazy Diamond’.

#47 : Hyper Combat Unit Dangaioh

Fast fact… the opening sequence to the first episode of Dangaioh is awesome. WHOA talk about a whole lot of fun crammed into about three and a half minutes. This may be my favorite anime of what I call popcorn entertainment… sit down and have a blast with no strings attached and to be honest, no real sense of depth beyond what you see is what you get. Dangaioh takes what was fun about super robot mecha from the 1970s and early 1980s and injects it with a dose of higher octane fuel and sprinking in a little esper super hero as the topping on the cake. Be ready to “Cross Fight” because I want to talk about Hyper Combat Unit Dangaioh.

Dangaioh_1It’s time to separate from the uber serious space opera and so-called real robot genere of mecha and return to something more fundamental and basic. I view Dangaioh the same way as I view punk rock in that regard. And while pomp and circumstance of “big stadium acts” or “progressive rock” like titles of say Mobile Suit Gundam, Macross, or Ideon are very much beloved by me, I also find a relief in something simpler, harder and faster. Enter Dangaioh into the mix and I go… “Yeah lets ROCK!” But keep it simple and fun without over bloating it… like say contemporary action films of Hollywood.

Dangaioh_2In the process of the intro we meet our team of heroes who will pilot the Dangaioh machine. We begin with sensitive and level headed Mia Alice, crybaby and cheerleader Lamba Nom, hot headed Pai Thunder and Roll Kran, who is basically the useless guy. Wait a minute… three girls and one dude? That may be more common today, but for the 1980s that was something new. Usually it was the reverse with only one girl in a group of boys. Needless to say these four have been enhanced with esper qualities of various difference and their main purpose is to be sold to the “Banker” a pirate named, Garimoth, much to the chagrin of the jealous Gil Berg (who eventually sells out because why not, he wants to be the king of the group after all). Needless to say our four  heroes realize they are individuals and go against this predetermined destiny. Freewill wins!

Dangaioh_3And the fun starts from there. And over a period of three episodes we enter a “bad guy of the week” type of format. Again reminiscent of early days of mecha, Go Nagai would be proud to see the pendulum swing back towards a more simple approach to mecha. But, that is not to say it is completely elementary. The story at time digs deep into character psychology and in many cases backstory since our heroes are trying to rediscover who they really are. The artwork is awesome as well. As a fan of Toshiro Hirano’s style, it oozes with his certain touch of character design as well as overall direction. Plus, this has great mecha designs and ideas from Koichi Ohata. Nice to see that man’s skills as an artist than say a director, MD Geist anyone?

Dangaioh_4For those of us in the U.S., Dangaioh along with Gunbuster would be the first Japanese animation released subtitled on that old glorious format of VHS. Thank you U.S. Renditions for making this happen and it is sad you are not around today still releasing anime. These three tapes are collectors items for sure for some of us, including myself, but could you imagine purchasing one episode for about $30. And on VHS to boot, not say Blu-Ray or some other high definition source. How times and the market have changed.

Could it have been more than just only the three episodes? True there was that Great Dangaioh TV series, but nothing for the original. And that is fine, because why keep milking a story to death? Seriously, sometimes a great band may release an album or two and then move on to other personal projects. Dangaioh is very much the same. Rock on forever Dangaioh as we rise our lighters to the air for you. I will love ya till the end of time.

#46 : Black Magic M-66

BMM66_1You know what I love about the OVA format? In particular, the ones that came out in the mid-1980s… besides it was an awesome time for creativity… it is the fact you would get miniature one offs that were self contained. Under an hour was all the investment you had to give, which come on everyone, that’s not much time. And these were not promotions for a bigger project. These were the real deal and short and sweet. Masamune Shirow, known well for Ghost in the Shell and Appleseed, would get his first anime adaptation in 1987’s Black Magic M-66. The rest they say is history.

BMM66_2Upon watching this one-off I am sure one thing will pop up in your mind. HEY NOW! This is very reminiscent of The Terminator. I am sure I am not the first to proclaim this, but it oozes the killer machine on the run, just not with Arnold Schwarzenegger stating, “I’ll be back.” This time we have a female bodied android and she is many times more dangerous and deadly. After a military plane crashes into an unassuming forest we find that two of these M-66s have escaped. Thus the military is hot on the trail along with guerilla reporter Sybel, who is our protagonist. Eventually one of the M-66’s gets taken down, but the other would find it’s way into the big city. And it’s target… I leave that to you to find out. There is no point spoiling this story.

BMM66_3…One thing I will say, wait for the scene in the elevator with Sybel fighting off the M-66. Well maybe not fight… more like, trying to stay at least one step ahead of this robot. This OVA may not have had the biggest budget, but the effect of turning and perspective in that tight space was impressive. I give you props AIC, even though most everyone else seems to give more attention to the other sibling you also produced in 1987, something called Bubblegum Crisis. Now back to our main content…

BMM66_4I will give this OVA three things that it does very well. First, as stated previously, it’s about 45 minutes long. And while it is a clone of cheesy action sci-fi adventure, it does not overdue it with a lot of Hollywood grandeur. It is like a compact sports car; a fun ride that does not get in the way. Second, props to making our main protagonist a tough lady. And being a Shirow work, she is in top shape and can take care of herself. I actually prefer Sybel more than Ghost in the Shell’s Major Kusanagi, because she is all too human and at times makes a mistake. And as mistakes are made I come to the third reason, that of humor. This show takes itself seriously to a minor point and that point is often broken because after all, this is a fun show. The is often the case with Shirow’s manga and I think the adaptations of Ghost in the Shell in particular paint Shirow as too dark. Au contraire. I often wonder if a lot of Shirow’s work is intentional satire.

As a beloved early staple of the VHS era, Black Magic M-66 has fallen out of favor and is often like that rare first album by a band that is passed over due to higher caliber releases that followed in the wake. It’s worth at least one view and maybe a second if you browse through a collection and say, “Well… this is a quickie. Why not?”

#44 : M.D. Geist

Let’s see what anime I can talk about. First let’s draw out a name from this basket here and… AH HELL NO! NO NO NO! For the love of the universe, why in all the world do I have to talk about M.D. Geist? It’s universally lauded, hated by some and obsessively loved by others… I question this last group of folks. WHY? WHY? … Ya know… I quit.

… ok I can’t quit just yet, give me one second here …

MDG_1Damn this is such a bad anime. It’s totally a macho cock swaggering violence fest. It is so badly written, acted, produced etc. that once you watch it a couple times… wait a minute. I watched this crap fest a couple times? Shaking my head, oh if it’s so bad why am I watching it a couple times. That is because ladies, gentlemen and everyone else, it is so bad, so dumb, so… cheesy and entertaining that it just… works. Yeah it’s so bad and so poopy that it’s… amazing. And I don’t mean like The Humanoid, I love The Humanoid as it has class. But M.D. Geist is like one of those really bad ‘B’, no ‘D’ action movies that you have to watch because you become a better individual in the process. After all why watch something decently blah when you can fill you life watching stuff that is amazing and  on the other end of the spectrum terrible that you are laughing at it more often due to the absurdity. Never settle for the middle of ordinary with your anime.

MDG_2So how was this production made. Japan had a lot of talent and money floating around in the mid 1980s. OVAs were starting to allow artists who were more production based like designers and animators to gain the coveted role of directorship. And Koichi Ohata, a genius mecha designer and animator, was given such an opportunity. Did he deserve the shot? Perhaps, but he was among a generation of those who got the opportunity… lucky bastards. And for those of us in the west Ohata would find a fan who would raise his production into legardary status, the head of Central Park Media (rest in peace great company) John O’Donnell. Not only would O’Donnell release and re-release this OVA, but would call for a sequel, because of course everything needs a sequel… well maybe not.

MDG_3And much like the production itself, the character of Geist can’t be killed off so easily. After all he is one of the ‘most dangerous’ after all. A creation of the conflicts of the planet Jerra, a universal killing machine of a man. And not only that, but he is unlikeable, crude, self absorbed and even asexual (just ask Vaiya, the only woman ever present in the whole OVA). The total anti-hero, but no… more like the villain as protagonist. So who does Geist fight for? The Nexrum Army? Nope. The Regular Army? No… wait the Regular Army… how generic? For Vaiya? Nope, he won’t even make a pass on her. He is fighting for his own cause and that cause is… uh…who knows. As long as he can keep fighting and shedding blood, he is living. Yeah, not much of a plot, but guess what the ending is only the beginning, even Geist says so with his final line of dialogue. Maybe now I see why there became a sequel a decade later… good lord. I’m done…

MDG_4Once considered the worst anime ever made, or sometimes the second worst ever made because “no one can agree on the worst” (AWO podcast) M.D. Geist has without question, a reputation, or perhaps a legacy. When it comes to bad anime, or maybe even that silly term ‘Manime”, Geist you are truly the king of all kings. May your crown never grow heavy. If you plan on watching this, go with the original cut in Japanese and not the so called director’s cut. But if you want a laugh… director’s cut in English all the way. One of the best awful dubs ever.

… and I might be a dork here, but anyone who is a fan of the show The Adventures of the Galaxy Rangers if you remember Shane Gooseman… doesn’t he look like Geist?

#32 : Zillion: Burning Night

Many and I mean many anime from the 1980s drew inspiration from a live action cult film, Streets of Fire (see it if you can). But how many have literally ripped it off to be a near clone? I know one… Zillion: Burning Night. The title is even a near doppleganger? This is one of my favorite odd ball OVA releases and one really does not need to have any prior knowledge of the Zillion TV series. All you need is a bucket of popcorn and an hour of time.

zbn_1Let’s give a group of favorite heroes another day in the sun. It’s the late 1980s after all and if a show was halfway successful give it a followup direct to video OVA release. Zillion was another fun sci-fi action series that had it’s fifteen minutes of fame back in 1987. Of course SEGA Master System fans do you remember the two games Zillion and Zillion II: The Triformation? They are based on this show. Hopefully you have a copy of each, just remember the jump and action buttons are reversed. So this a SEGA anime? Yes INDEED! SAY, GAH! It even featured the character Opa-Opa from Fantasy Zone. But after one year Zillion would wrap up the story being told, until… until the release of an OVA Zillion: Burning Night.

zbn_2So where do we start? Our heroes JJ, Champ and Apple, the White Nuts (how the Japanese term the words knights?), and friends are headed to a bar on motorcycles because what do you do after you save the world? Anyone? You form a band! Crank up the amplifiers and ready the cigarette lighter salutes folks. Not only can our heroes handle the awesome Zillion guns, they can also rock out till after midnight. And then a bunch of thugs rush in to kidnap Apple and take her away to the rough side of town. This sounds and looks a little familiar… kind of like the beginning of… Streets of Fire? Guilty as charged, but it’s an awesome near scene for scene rip-off and that is only the beginning.

zbn_3So now it is up to save Apple from the Odama Clan (originally the Nohza’s main bad guy crew, but now they are more human in appearance), but then Champ and JJ encounter an old flame of Ms. Apple, Rick (Ricks from the Japanese dub and also a former Nohza). As of writing I have yet to see the original Japanese version. The Streamline dub has some funny moments in the way they translate the script… “This must have a cast iron brain pan” is a good example. Not to knock it, I love the actors from ye old Robotech days and this was one of the first productions where I realized they were all involved in something else besides Robotech. Kind of like a comforting of reacquaintance towards nostalgia?

zbn_4When I eventually come across a release with the Japanese track and English subtitles I will need to put that into the top of my priority watch list. Truth be told this is not the most mind blowing OVA, but it makes a fantastic background companion when doing other projects. This is yet another odd treasure from my not so dusty VHS collection. I think I should get back to my shelves of tapes and review all the other oddball releases I have collected.

#25 : Robot Carnival

Robot Carnival is phenomenal… beautiful. Nine short films of pure genius. Much like picking up a package of new crayons, there is a color or two or maybe even nine that appeal to you? I have my favorites for sure, which I will disclose in time. There are many omnibus or collective productions that have come over from Japan, but Robot Carnival to me trumps them all. It is art for art’s sake and for all the directors who were a part of the production I am sure this was the assignment… ok you have about 10–15 minutes to tell a story and include some aspect of robots… have fun!

I have always enjoyed Japan’s view of what a robot is or can be. It is not some machine to be used for comedic entertainment or a scary monster that shows the darker side of technology. A robot can be a great force or nature, a superhero, a vehicle that has be piloted by someone, your best friend, but above all else a robot can also be as human as you or me. After all are we not organic machines that have emotional connection, the same can be said of something that is inorganic. Mixed with the free interpretation of what a robot can be allowed a large range of creative expression shown in Robot Carnival. No two pieces look or feel the same. But the one constant is the great music. Most of the shorts have no dialogue so in a way they are kind of like music videos. And guess who wrote the music for all of these shorts except one of them? That Jo Hisashi guy! Yes, Mr. Jo has a backlog of other soundtracks beyond the Studio Ghibli canon.

rc_1Robot Carnival begins and ends with it’s most well known creator’s vision of the “Robot Carnival” coming into town spreading it’s joy and fun. Katsuhiro Otomo (the Akira guy) shows his usual style by having this gargantuan transport vehicle partying it up as it travels through a barren landscape. The only thing is this party is laying waste and destruction in the wake of the vehicle’s journey (so Otomo). But hey look at music festivals and such after everyone leaves, it’s a major mess and trashed. Rock on the rolling Robot Carnival… ee maybe Carn-evil?

Alright I am going to go over the next grouping that I consider my also rans and then I will go in backwards order of my favorites from there. Not saying these are bad or they may not be a favorite of your’s, it is just that my tastes favor the shorts I will anounce later. Franken’s Gears is darkly funny and a complete rehash of Shelley’s FrankensteinStrange Tales of Meiji Machine Culture: Westerner’s Invasion is funny and over the top. And Chicken Man and Redneck or Nightmare is one that I often look over and too be honest if I can give it another go I would probably favor it more. Now for my favorite four, the our seasons, fab four, the Beatles… 

Number 4… Presence: If any of the shorts is standard stock and trade shonen action and could have been turned into a longer single release OVA, this is it. Heavy action, driving music and awesome hair. Girl gets kidnapped, hero saves the day and a whole lot of fun… and awesome hair!

rc_2Number 3… Starlight Angel: Two girls having fun at an amusement park and one sees her beau being friendly to her friend (creep deserves a SLAP!) and girl gets mad, loses necklace and a robot in the park tries to return it. Then again some over the top stuff where a big bad robot takes her away and the robot mentioned previously turns into a handsome guy and saves the day… and then they fall in love. I love shojo and the work of Hiroyuke Kitazume and Starlight Angel has both. This one always reminds me of my niece and the times we (and my sister) had fun times at Six Flags and also her love of going to Disney World. To me she is the “Starlight Angel”.

rc_3Number 2… Presence: Loss, regret, can I be loved? This one could be the pièce de résistance of the whole collection for the production quality alone. Not that the other works are a slouch, but the detail work particularly with clothing and motion show a true strength of the old paint and cel technique. The story is about a man who basically is lost in his life. His marriage is dull, his wife seems to be more successful than him and all the usual responsibilities of being a man seems to have drained the life from him. He creates a female robotic companion, but when she comes to life she asserts her independence and again he becomes frustrated. This one is often looked at as an erotic piece, but I have to disagree as it is a much more metaphorical tale of looking to connect in a genuine relationship.

rc_4Number 1… Cloud: Yes, Cloud! But it’s slow and boring and doesn’t do anything. It’s basically a kid walking with minimal background changes and piano or synth music… SHUT IT. Yes it is in a ‘way’, but it is not slow, or boring, or bad, or stupid, it’s BEAUTIFUL! It is perhaps the most relaxing animation I have ever experienced, almost the equivalent of ambient music (Brian Eno anyone?). And the music makes it that more magical and this is the only production that does not feature notes from Jo Hisaishi. That, and I really like the wandering kid. He reminds me of myself as someone who is a daydreamer on a quest. So yeah, Cloud is my numero uno.

Lightning in a bottle. That saying comes to mind when I think of Robot Carnival. It may only happen once and when it does be thankful that you had the opportunity. Besides the older otaku culture who raves over this collection it can be in many ways a gateway drug to introduce Japanese animation to anyone who may not be warm to it. The limited dialog and shorter lengths makes easy digestion. But for those of us who love Robot Carnival, it is almost a religion. I am a proud fan of this one and glad to still keep my old laserdisc release even though we got a DVD release (Discotek, you made a miracle come true) as this is one of the reasons why anime is so much more than just the term anime.

#24 : Area 88

area88_1Circumstances often bring us into situations that may not always be the most ideal. Shin Kazama is a young pilot who just graduated from a flight academy in Paris. His future looks certain; he is optimistic, has a job lined up with Yamato airlines and his beautiful girlfriend is the daughter of the president of the company. All his dreams are about to come true except for the fact that he decided to join his best friend on a drunken night on the town which ended up with the naive and very impaired Shin signing a paper without really reading over it. The following morning he comes to find out he has a new destiny and that destiny is in the foreign legion air force of Arslan. Shin Kazama’s future now belongs to Area 88.

Area 88, released in 1985, is an example of an early masterpiece for the then new direct to video format, the OVA. Produced by Studio Pierrot, the same company that released the first OVA release in late 1983 (Dallos), Area 88 showed a growing maturity in a short span of time. Based off of the original manga, this pocket sized three episode (two if you have an alternate release) was one of the first productions I experienced in the beginning of my journey into the deep dive of being a hard core older otaku who was looking for options to play catch up as it were. Megazone 23 Part 1 and Area 88 (episode 1 at the time) were my homework almost a decade ago and needless to say I was happy to find alternate material to compliment the usual material I had up to that point.

area88_2Let’s look at nature vs. nurture in regards to our hero Shin Kazama. True there is the debate of are things predestined or learned all across the map, but in regards to Shin I have to point to the nurture aspect, or more precisely environmental influence. Shin’s initial nature is a gentile soul whose life has become flipped upside down. He is depressed, he is desparate. More than anything he wants to return to Japan to go back to his former life. But over time from being in the battlefield and around battle scared pilots he begins to morph into a cold blooded mercenary as it is the only way for him to survive. The only life he can conceive is being trapped in a fighter plane trying to earn enough credits to qualify for an honorable discharge. Of course he can serve three years or desert (which he tried earlier in his career) as well.

area88_3Shin is a victim of circumstance, NO! He accepted his current condition instead of holding on to his genuine truth, but war does strange things to everyone involved. The love of his life Ryoko is now being approached by the friend who sold him out, Kanzaki. As Kanzaki weasels his way up the corporate ladder and enforce his love to Ryoko he can never escape the ghost of his old friend Shin. Often times their paths cross even though they may not be looking at each other in the face. Talk about a soap opera and a half and I am eating it all up with a bucket of popcorn (I need a refill!). Much of this story can be seen in many of the mecha series of the time, as I see this as shonen-esque type show, but Area 88 is a bit more down to earth dealing with actual war machinery and a more contemporary setting (be it the late 70s/early 80s). It’s kind of like, what I read somewhere, a more realistic G.I. Joe. Very true in that observation, but I still seeArea 88 as a tale of a man who lost his faith in himself.

area88_4Another avenue I often look at with the lens of Area 88 is the concept of the war draft. Growing up a decade after the ending of the Vietnam war, the shadow of being told to go to war without question or reason was around. This was my parents’ generation and of course it was reflected in films such as Apocalyse Now and Platoon. Much like those films, Area 88 shows a young man’s life change due to the circumstance of being taken away from his environment and his dreams. The spoils of war often silence many young people who had drive and ambition. If you feel it is your duty to serve you are more than able, but we should never force anyone to do what they may not feel is truly right.

Truly a gold standard of the OVA, Area 88 tells it’s story with the right pacing and production value. Without any question it is required viewing for anyone interested in classic Japanese animation. Just one word of parting advice… never sign anything when you have been drinking alcohol. You never know what misfortunes can arise from being careless.

#21 : Genesis Climber Mospeada: Love Live Alive

Recall the Disney version of Robin Hood. You have your traveling minstrel rooster, saying the animal kingdom has their own version of the story and might I add it is “what really happened in Sherwood Forest” at least according to our journeyman friend. When you often say the three words ‘Love Live Alive’… now is it ‘Live’ like I want to live through this or I saw that awesome band ‘Live’? Sorry… you think of an attempt on Harmony Gold to squeeze a couple more bucks from the Robotech name. But this blogger has another version of this story and this is what really happened. In 1985, same year that Robotech aired ironically, this little OVA was released in Japan. Here is the real story of Genesis Climber Mospeada: Love Live Alive (thats a long title, eh?). Oh de Lally Golly What a Day!

mlla_1I know the Robotech version emphases ‘Live’ as I want to live through this, but I may be wrong and I don’t care because I read ‘Live’ as I saw that awesome band ‘Live’. And speaking of music, that is the backbone to the OVA as we follow the ‘Lonely Soldier Boy’ Yellow Belmont and what he has been up to after the Inbit invasion war. He still rides his blue Mospeada bike, bends gender better than anyone and performs his music all over. A soldier he may have been, but his heart belongs to fashion and the stage. And it is the career that he deserves as he recalls memories of his recent past. But what about the music as the backbone to this story?

mlla_2Genesis Climber Mospeada: Love Live Alive is a simple love letter. Did you love the show from a couple years back? The staff at Tatsunoko studios have a little something for you to reminisce. The music mentioned earlier that is either recorded or performed live by Yellow splices between flashbacks of his old companion’s adventures that recall the nostalgia in period correct MTV style. This was not in the Robotech version (grr!), but what of this music anyway? Who actually wrote these songs? How about Jo Hisashi! All you Studio Ghibli fans should know that name. That’s right, Jo has a back catalog of various musical contributions including this OVA and the original TV series. The grand orchestral sounds of the Ghibli films though are not present. Here we have Jo’s sensibility in the flavors of rock and pop. Midnight Rider is my favorite track followed by Mind Tree in case you have the soundtrack handy.

mlla_3I honestly don’t know how popular Genesis Climber Mospeada was in Japan and really it does not matter. Be it the Robotech or original version of the 25 episode show, I liked it very much for the small rebel bandit unit and morphing motorcycle armor, so badass. But again in my book, it is the characters I love most. Yellow was my favorite character from the show anyway and having a video about him makes Love Live Alive double special. Besides being creatively talented and often the strong voice of reason in the group, Yellow was the first individual in my life that I recognized as transgender (thats a big thing for the 1980s), though I did not know what that word was for years to come. Again, how this OVA got made about a character from yet another scifi mecha show is beyond me? I should not ask and just accep,t after all it was the 1980s in Japan, all kinds of productions got green lighted.

As a fan of either telling of this show I appreciate this short direct to video one off.  I can’t say much more since it is what it is, a string of music videos spliced between moments of Yellow’s current life told in about a span of an hour. …and like what wise people say about cover songs, nothing beats hearing the original. Live on Yellow and rock on!