#59 : The Professional: Golgo 13

Duke Togo, alias Golgo 13, you sir are one tough motherf$@%&#.

G13_1To preface the premise of Golgo 13, think James Bond, more like Daniel Craig or Timothy Dalton’s portrayals, but even more sinister. Also think of Lupin III, but a Lupin who has no sense of humor. Golgo 13 is the definition of a hired hitman, or perhaps maybe a programmed machine. He is more humane than say M.D. Geist (I still don’t get that dude, but I have written about that already), but Golgo 13 is still a very stoic and pragmatic individual. His life is a series of contract hits to frag spliced between getting into bed with one glamorous woman after another. To some The Professional: Golgo 13 may be the ultimate action flick, but this film displays other aspects that make it a visually artistic classic.

G13_2One name makes me think of this movie and it’s not the original creator, Takao Saito. The man I am thinking of is in my opinion one of the greatest directors from Japan, one of studio Tokyo Movie Shinsa’s (TMS) best, the one and only, Osamu Dezaki. His style of rough thick lines, triples takes, dramatic lighting and pastel still shots add a level of film noir, style and sex appeal that transforms the story of a dry hitman into perhaps the best pulp noir comic come to life I have seen to date. It looks un-mistakingly hand made, with the exception of the early CG footage in the titles and the goofy helicopter sequence (why did they not just hand draw it?). In my honest opinion it may be the best adaptation of Dezaki’s visual style. Sex and violence never looks so… stylish?

G13_3The plot meanders around various segments, but there is a singular tie that holds everything together. Tycoon Leonard Dawson on the day of his retirement is about to hand over his empire to his beloved son Robert until… until young Robert is murdered in cold blood. Enter the melodrama. Leonard Dawson throughout the film in a psychotic rage has only one passion and that is to get the man who took away his son. And guess who shot Robert? None other than Golgo 13 himself. So why would Golgo 13 shoot young Robert? Because that was his job, his contract to fulfill and I will not reveal who it was who hired Golgo 13, but it definitely makes the movie a very interesting experience. One great plot twist that makes the ending completely difference than what you expected.

G13_4I want to come back to the element of style for this movie. Though it was produced in 1983 and the original manga began in the late 1960s, this movie to me feels very 1970s. Give me the wood grain finish on anything, or everything in any scene’s room. Show me those funky clothes, the nasty smell of Golgo 13’s choice of cigarettes (Parliaments no less), the Farrah Fawcett styled hair from character designer Akio Sugino (I swear all his women could have been one the cover of Cosmopolitan back in the day) and the showcase of classic cars.

Another way I can look at this movie is to compare it to Quentin Tarantino’s Pulp Fiction. While both films are wild rides and have a similar look, at least from my eye, I find The Professional: Golgo 13 to be less romanticized or idealized, maybe even fun. Both films deal with the story of a hitman, but in typical style from Japan, Golgo 13 is not Hollywood-like and thank goodness for that. I often wonder when this film originally was produced if it could have been created for the Western market as a possible export. This is one of the few films I can show my dad, who is not into anime at all. But, he likes mob and tough guy movies and Golgo 13 hits that mark very well.

The Professional: Golgo 13 may not be everyones cup of tea in regards for story, but I have to highly recommend watching this film at least once to see the style of Dezaki’s work in action. The Space Adventure Cobra movie is another possibility, but it does not hold a candle to Golgo 13 in terms of mood and visual story telling. Lastly, I hope you are never on his hit list and just in case if you are… “I pray for you. Pray for you (enter the whaling guitars).”

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#58 : Akira

Akira_1You my friend are like Bob Dylan. You are the spokesman (or perhaps spokes-anime?) of your generation. And such a fitting title to boot. Akira. It’s short, sweet, bold and makes you wonder what the movie is about? And for several years, if not a couple decades and change, I still ask myself this same question. And from all the viewings I have come to my own meaning since I am not all that familiar with the original manga. In any case, Akira stands as one of the quintessential definitions of what anime can become… huge, epic, thought provoking and awesome red motorcycles. For many otaku of a certain generation here in the west, it stands as one of the first anime that either: a) made us anime fans or b) solidified our love of Japanese animation to a level we had no idea that could be reached or even existed.

Akira_2Epic, sublime and down right dangerous… this is the world of Neo-Tokyo in the aftermath of a devastating war. Politicians and the military try to fight for power to control the masses and yet let the society kind of deteriorate at the process while they greedily grab cash and power at any quick moment. Remember the scene where the counsel member who tried to escape with his briefcase of money only to die in an alley from a heart attack? And it is in and on these streets that have gone to waste we find our main characters. They are street punks, juvenile delinquents, who ride motorcycles and fight rival gangs. And two of them will be our heroes so to speak. A small, quiet, insecure yet angry young man named Tetsuo and a cocky self assured leader who has quite possibly one of the most iconic motorcycles to appear on any screen, Kaneda.

Akira_3Eventually these boys will come into contact with the military authorities and their lives will be changed forever. Either through contact with what looks like old children who have esper type abilities or perhaps awakening a power within himself (could it be possible to awake this in all of us?), Tetsuo begins his journey of becoming a power beyond control as he is carried off to be examined. The struggle begins now as Tetsuo, who only wants to be left alone, is constantly being controlled. And much like school shootings of recent history in our ‘real world’, Tetsuo is a textbook example of allowing a potentially good kid go bad. He is to blame for the eventual destruction he lays out on the city, but that blame belongs to us as well as we let potential young people rot away into self pity and depression. His responsibility is ours and ours is his.

Akira_4My view of Akira is that no matter the environment or circumstances, we are the creators or destroyers of our world be it within the confines of the body or what we perceive to be the outside world. The more we try to control the outside environment, others around us or use the gifts given to us to harm or disconnect us from the natural surroundings, we are doomed to failure. But from failure and destruction much like a phoenix, there is great potential to start again. All endings are beginnings and likewise all beginnings are endings (the constant cycle of life and time). It is how we adapt to these changes that will show the results.

Go big, or go home. Such is much of the work of original creator Katsuhiro Otomo, as all hell will break loose and get out of control if we allow the weeds to permeate the garden so to speak. Akira is also a hallmark of the quality of one of the best studios in Japan, TMS (Tokyo Movie Shinsa). You can see this as an action film, a fluid piece of animation, or an allegory to what potential we have in all of us. I cannot deny the awesome power of what Akira is for me as a fan; it is required viewing to truly appreciate the power of what anime truly can express. No matter what, I will always cheer GO! GO! Akira! 

…Now I need to find a dealership that has Kaneda’s bike. Any idea what make or model it is?

#55 : Venus Wars

VW_1You and me go back quite a ways, eh Venus Wars? True story… I introduced a couple of my friends in high school to Robotech and eventually they would become a little bitten with the anime bug. I can’t say for sure of where they are today as I have not seen them in quite a while, but one of them ended up getting Venus Wars on that old standard we all loved a long time ago called, VHS. I remembered it as a good film and oddly enough it would be one of those properties that acted as a bridge between my early years of initiation and my later years of being a hard corps classic otaku. I just got a copy on Blu-Ray and re-watched it for the first time in HD. Do I still find Venus Wars enjoyable?

VW_2So apparently in the future (2003 ah what a year) a comet collides with Venus and over a short period of time. The second planet from the sun becomes habitable, though life is difficult. Farms don’t yield the prospects that politicians promised and in due time tensions heighten between the nations of Aphrodia and Ishtar. Now enter our main cast… the first being a group of young bike racers and their entourage called the Killer Commandoes who compete in a sport mixing traditional racing with more contact and rough house like Roller Derby and the second, a spunky reporter arriving from Earth to get the scoop on an impending war. And just like that Ishtar invades invades Aphrodia exciting our reporter, Miss Susan Summers, and shocking our bikers and crew: Hiro, Maggie, Will, Jack, Miranda (I love you Miranda!) and the grizzled team manager Gary. Soon Miss Summers will come into contact with the Commandoes and there first order of business is to get rid of one of Ishtar’s tanks at their beloved stadium.

VW_3So… let me sum up the rest of Venus Wars with one name, Yoshikazu Yasuhiko. Venus Wars looks like a YAZ show, it acts like a YAZ show, so I have to love it (Yeah for YAZ!). The director and character designer of the likes of Crusher Joe, Giant Gorg and Arion (and don’t forget he was character designer of the original Gundam), Venus Wars would be his final work within the frame of animation until the adaptation of his recent more manga, Gundam: The Origin. This film is based off of his manga (no surprise), which from peaking at a couple of chapters, seems to be a little different. Hmm? No problem though. Venus Wars is kind of a mix of Gundam with Akira. Hiro, our main protagonist, is similar to Amuro Ray, though I have to give more credit to his ‘character’ to that of Zeta Gundam’s Kamille Bidan. He has a major chip on his shoulder.

My only gripe on this movie is that it ends oddly for me. Our hero Hiro (is that a pun?) is active in the deciding battle and from what I can tell this was the only battle he was in? Then he gets honored by his unit and is let go to find his friends (which ends up with him reuniting with girlfriend Maggie) all the while enjoying a music sequence of him riding around. To be honest, I should get off my high horse, but it just seemed like a bit of an elongated finish after the climax that seemed to have come a little too soon. I will now retreat from the soapbox.

VW_4As I mentioned earlier my first exposure to this movie was at a friends house back when on VHS. A few years later when I was in a small town stopping at a video rental store (do you remember these?) I came across a used copy of the original DVD release by Central Park Media. It had been a while since I saw the movie and it was on my mind for some reason. Then lo and behold it was in front of me. Fast forward to a month ago and purchasing the new Blu-Ray release and wow how it looks pretty. Maybe no where near say an Akira, Wings of Honneamise, or Patlabor: The Movie, but it is very fine indeed for a fun action flick. Look at all the pretty colors 🙂 Nothing beats hand drawn animation!

You and me have been together quite a while, eh Venus Wars. Motorcycles, war, young people coming of age, action and all on the planet Venus to top it off. You may not be the best movie of all time, but who cares, you are a fun ride still today as ever. Venus Wars, you have been a loyal companion, may we ride again in the future.

…also to all my Studio Ghibli fans… you know Joe Hishashi right? Well the soundtrack to Venus Wars was composed by none other than him. How about them apples?

#52 : Ai City

“Everything today is a bargain sale of imitations. That’s why they’re after something real.”

I have an odd attraction to something that leans a little to the bizarre and artsy in anime. I love classics like Angel’s Egg and more modern fair like Mawaru Penguindrum. I also love psychedelia music, art and film be it the original stuff from the 1960s or works that draw from it’s influence from decades later. But what I really like is a). style and b). expression. And Ai City is all of this and something more and to be honest the ending still makes me scratch my head. I LIKE IT!

AC_1Let us consider a cyberpunk atmosphere that could be the future and yet looks like the present moment, whatever that present may be when you are reading this. Kind of like Akira, but instead of the Blade Runner-esque darkness and political intrique… well leave a little of that in for good measure… we need something a little more lets say 1980s and fun. Lets add in a discotheque feel and bright colors that invade into this dark climate. Now we are prepared for this 1986 film. And of course, throw in the fact that a majority of our main cast are espers with as the awesome song in the movie called A Psychik Man. It says… “he’s got super psychic powers.”

AC_2The film begins with a chase between a bike gang who is headed by a pretty lady known as K2. They are chasing our main group of heroes in a car with our main man K driving (he gave the awesome quote at the beginning). His passengers are Ai, or is it I?, who apparently is a clone of K’s former girlfriend, but is younger in age and calls K Papa (?). And in the back seat we have a bumbling drunk detective named Raiden (comic relief) and a big old fluffy cat. Yeah for cats! Needless to say K and K2 meet up and we see how these two espers, or headmeters, charge up and fight. Not so much super saiyan style like in Dragon Ball Z, but they have these gauges in their head that change number amounts. Just watch out if they reach infinity.

AC_3K and Ai have escaped from the confines of an organization named Fraud and K2 is one of their lackeys. After the confrontation between K and K2, K2 disappears and comes back with a state of amnesia and she ends up wearing a Playboy bunny type costume and goes gaga over ohjisama Raiden. No lie to that, its that off the hook! The leader of Fraud, the menacing Lee (this dude reminds me of some offhand villain from Space Adventure Cobra) is having none of it and dispenses more lackays, one a bishounen named Mr. J to recapture Ai. And I will leave it at that because this is a movie that needs to be seen to believe. I have only describes the first third or so so just when you are about to get near the end be ready for an all-out artsy fartsy, off the wall, psychedelic experiences put to celluloid. Everything can and will fall apart. Now see what happens afterward.

AC_4The title itself makes me wonder… which one is my correct assumption for what it means? Of course one of the character names is Ai, which in Japanese means love. So ‘love city’ and could this girl named Ai/‘love‘ be the ultimate meaning of this movie? The idea that love and manifesting one’s happiness and not forgetting that primal emotion could be the key to all of life. Also, and I am no scholar in this area, but in that little book known as the Bible, in the Book of Joshua, there is a city that is captured and destroyed named Ai. And yes, at the end of the film, literally, all hell breaks loose. Or, could it mean Ai as in I, like your ego and watching that come crumbling down to rebuild a new self in case you have a faulty view of yourself and the world? These are a few of my interpretations and many are kind of deep. Maybe I should watch it again because I could be still missing something.

Fluid animation, a fun soundtrack and a stellar lineup of voice actors make this oddity a huge winner in my book. That and once you get to the ending. guess what? We basically start all over again from the beginning. For real? … yeah. Ai City may be out there and different, but it is never, ever boring. And to get back to the beginning, you remember that quote? Ai City ain’t no imitation, it’s FOR REAL!

#50 : Windaria

Windaria_1When it comes to animated fairy tale or love stories, at least here in the west, Disney seems to have cornered the market. Everything ends happily ever after and no matter what good triumphs over evil. What would Shakespeare or the Ancient Greeks think of this? For every day there is a night. Love stories are as much about the pain and hardships of being authentic towards your true feelings. And in 1986, the year Studio Ghibli debuted Castle in the Sky, another film would show the strife and complexity of love, war and honesty. The beautiful shojo masterpiece known as Windaria.

Windaria_2Ask me what is the best animated film from Japan during the 1980s and I will always pick Windaria. Early Ghibli films are great, Akira was amazing and Macross: Do You Remember Love is my version of the Super Bowl, but Windaria is special. Very, very special. A product of my beloved Kaname Production, this 1986 gem is a film that is overlooked to the point of being a crime. I see it as an allegory of not following one’s truest desires or feelings and letting the environment dictate your life. It reminds me of a quote from an obscure movie about the composer Gustav Mahler, “Do things out of love and not duty, Duty destroys, duty always destroys.” And we see this concept through the eyes of two pairs of lovers caught up in a land on the brink of an impending war.

Windaria_3The first set of lovers are the more idealized in the tradition of fairy tale story telling. Princess Ahnas of Itha lives in a seaside paradise. She is carefree and beautiful, but she is also worried. Tensions with the neighboring kingdoms of Paro are begining to escalate. And this becomes a personal issue because she is in love with Jill, the prince of Paro. Neither of our young lovers want to see war and hope to create a bridge of peace, but much like Romeo and Juliet their star crossed love has a difficult road. And when the respective royalty on both sides pass their authoritative powers on, our couple has to decide which decision is of more importance. Is it their love and their hopes for the future, or their duty as members of the royal court to uphold their honors as heads of state?

Windaria_4Complimenting our royal duo is another young couple of more common origins. Izu and Marin are farmers in the neutral territory between Itha and Paro and their lives revolve around selling of their crops. primarily to Itha, and giving respect to their land by praying to the giant tree in their land known as Windaria. The one problem is with Izu, as he desires to be something more than a common farmer. His insecurity and angst shows his feelings that he is not good enough, but for Marin this is not the case. She loves him for who he genuinely is and cares nothing of what others expectations are. Despite this, Izu decides that he must do something to prove he is special and gets involved in the upcoming war. Just how this will this affect his relationship with Marin in the end?

Windaria_5Windaria is a tale of love and responsibility and in many ways is as I have stated above, the inverse of what a traditional Walt Disney film is. Our heroes have to face consequences for their actions and everything does not tie up nicely at the end. It is one of the saddest films I have ever seen, even on a par with Grave of Fireflies, but a little different. Even with all the tragedy, Windaria stands as one of the most beautifully made films in anime and what makes it that way is the gentleness that rides under the current of the madness. What we have is a cautionary tale, much like the true telling of The Little Mermaid, and often times the lessons we learn the hardest often are the ones that eventually make us open our eyes to see the beauty of what you truly have. Never forget the beauty of what you have in front of you and take care of yourself and your environment, because they are interdependent.

I will always hold Windaria high in my regard for the beauty of the story, the music, the haunting yet serene beginning sequence and the tear filled ending. Films like this only come to fruition on rare occasion and their impact is second to none. And lastly, thank you Kaname Production for producing this film. I have always loved the work you all have done and Windaria is a magnun opus you should be most proud of.

afternote: This has been released in the west as an edited film known as Once Upon a Time. I am not here to judge, but from what I have heard and read it is not a genuine retelling. Just be aware in case you come across a copy of this film with an English dub.

 

#43 : Vampire Hunter D

Vampire Hunter D is plain and simple, a horror movie… NO… a western. True there are no cowboys, etc. like in a traditional western, but it has all the elements and style of a these films. Only claiming this movie is a horror flick is completely untrue. Yes there are vampires and beasts and lots of gothic references, but still it’s a classic western in the style of Shane where our hero comes in to town to do the business of saving the innocent and has to leave because his destiny is the road less traveled. The road of the one and only… Vampire Hunter D.

VHD_1D himself is an interesting character. Tall, dark and handsome with a glint of danger in his eyes that also show a humanity that is rare to come by. Kind of like Kenshiro of Fist of the North Star or maybe Captain Harlock, D is an example of restraint. Your Clint Eastwood or Gary Cooper type, where being on the road is your destined life. And that destiny is difficult as he is a mixed breed, the dhampir, or the mix of the vampire with a human. Not only is he an outcast, but he hunts down his vampire lineage. So the title is self explanatory, he is ‘Vampire Hunter D’. And while on this road he meets a girl who requires a hunter due to the fact that she was a victim of a vampire, one Count Magnus Lee. In a soft spoken fashion, he agrees to help.

VHD_2This simple farm girl named Doris Lang lives on a farm with her brother Dan and the news of her being bitten by something so ‘unholy’ and ‘unclean’ makes her not to popular in town. The only exception is the playboy son of the mayor Greco, what a douchebag. But with D by Doris’ side she feels a strong sense of security. And the security is needed as the Count sends his daughter Lamika and the fighter Rei Ginsei right of the bat. The action begins and more monsters and adventure awaits. But D also has a partner… in his left hand. One of the creepiest and odd characters I have ever seen, but so cool. Although I would not want some face looking thing in my hand. just my preference.

VHD_3Let me return yet again to Fist of the North Star. The director for both that series and film and this movie is Mr. Toyoo Ashida. His sweeter character designs can be seen in both, though D and a majority of the characters definitely take after the originals of Yoshitaka Amano’s gothic androgyny. The plots for both series are similar and well they can both be a little bit violent. Though the violence in both I agree to be a part of the situation at hand and the story and are not just for pure disgust and shock, like say Violence Jack or M.D. Geist. D is after all a vampire hunter and that job is not one that is clean and tidy. Overall as a movie it is good and entertaining, but far from perfect. As a favorite during the old days of VHS, this was a part of the limited diet of consumption that we had here in the west. It’s still worth a watch, but don’t let nostalgia blind you. But as a popcorn action flick, it’s a gem. And that cheesy English dub from Streamline Pictures has merit and character.

VHD_4If there is one theme ever present… well maybe two that kind of go hand in hand are romance and sexuality. This is a vampire flick and the concept of these blood suckers deals with the ideas of sexual desire and gratification. Both of which the Count and D both possess, but in different ways. The Count feeds on these desires, like a rabid animal he is never satisfied and craves more and more. D, as the definition of restraint, painfully represses his tendencies and desires, which makes even simple intimacy difficult. He after all has to be above the desires for lust and conquest because his human half gives him a conscience. But that conscience and higher calling of morality sacrifices true love as Doris would soon see. She loves D and D loves her, but he can’t fall victim to the lower instinct of sexual liaison as mere conquest. He shows affection through loyalty instead.

Vampire Hunter D is unique in it’s setting and environment. And as I have said before, think of it like a western and question why we don’t have more tales like this with a horror post apocalyptic bend instead of the usual ‘cowboy’ movie. My only advice is to watch out for anything that may go bump in the night. Don’t get bit now, unless that is your thing 😉

#41 : The Wizard of Oz

Alright now… how many of you have seen the movie The Wizard of Oz? WHOA, lots of hands as I expected as this is a cornerstone for a lot of us who grew up since it’s release on 1939. Now I got one for you… how many have seen an anime version of The Wizard of Oz? Oh yes they exist and from the looks of it I see a couple hands, OK. This interpretation I will be looking at was something I saw way back when I was a little munchkin. And I from what I remember my mom taped it off TV for my sister and I to watch and to be honest I am sure mom wanted to see it too. This is the theatrical version (an alternate TV series was made later) of that little book written by L Frank Baum.

wooz_1Oddly this was released here in the west before Japan, kind of like the original Transformers: The Movie. I wonder if this was a production that was made for us over here first and eventually Japan pulled it off the shelf to give it a go in their market? I can’t say for sure as that is not my area of expertise. What I do know is that it is a product of it’s time, particularly the dub which features Aileen Quinn (remember Annie?) as Dorothy and long time Hollywood alum Lorne Greene (Bonanza and Battlestar Galactica) as the Wizard. Both are well known names of the time, but today… anyone remember these two? And yes this dub is cheesy, like melted cheddar, maybe limburger, ok actually Velveeta, but you know what… who cares.

wooz_2As for the Japanese version I have never seen it. And with something this odd finding the original track in this section of the globe could be a little close to improbable. I don’t say impossible, because in many ways the impossible has proven to be possible in regards to coming across classic anime. In time all things come to your collection, you have to work for it a little more. And from a little research it seems Jo Hisaishi did the music in that version (the English track I doubt is his music as it does not sound like Jo, or it could be a redo on the lyrics?). And I forgot to mention the animation was done by that little studio called Topcraft. You know they did Nausicaa of the Valley of the Wind and Miyazaki hired up a bunch of their best talent to make Studio Ghibli. This was also the studio that made many classic Rankin Bass cartoons like The Last Unicorn, The Hobbit and Flight of Dragons amongst others.

wooz_3Now… I am sure you know this story… Kansas girl with her puppy gets swept up by a tornado in her house and lands in a strange land. And she gets some fancy shoes by killing an evil witch with this house and she has to walk a yellow bricked road to meet The Wizard of Oz himself to get her back home. Kind of like Escaflowne, Rayearth, or Leda: Fantastic Adventure of Yohko, except this story goes way back to the early 20th century and our heroine gets those fancy shoes. Ruby slippers that seem to fit her perfectly like she hit the clearance rack and struck gold finding a pair of designer brand pumps for next to nothing. What a vacation find! And of course Miss Dorothy has golden locks instead of the familiar brown of the Hollywood classic. Some sources say the original is blonde, but I leave that up to you.

wooz_4As a movie I liked it then and I still like it now… with some caveats. Could be nostalgia, but it is simple and charming. And also far from perfect. But it works and that’s all that matters. But what about a younger generation’s opinion of this 1982 version? I have shown it to my niece and she liked it though she is not the big anime fan except for Pokemon… but then again Pokemon is beyond anime itself. But someday… I will some how, some way, get her to love anime as well. It all comes down to finding the right show or movie. But if you have children yourself or work with children I would say give this one a chance as an alternate because the work needs to watch more animation… PERIOD!

In the end we have a cheesy rendition of a classic western tale, mixed with a little singing, decent character designs and one scary Wicked Witch of the West. So toast up some bread, melt that cheese, eat that grilled cheese sandwich and have a “Wizard of a day…”.

 

#40 : The Castle of Cagliostro

There is one truth to this movie… it is magical. It is such a refined piece of work that has one name written all over it. That name is Hayao Miyazaki and this was his rookie outing as a director of a feature film. And he did it well. Just look at the care and precision and you would think this guy would go on to make and define the concept of what many consider top quality anime. And that would be the case. Hot off the press from his time working on Future Boy Conan, Miyazaki would leave his swan song for the 1970s with that little Lupin III movie that could, The Castle of Cagliostro.

coc_1I often wonder how many people know about this film? Definitely diehard Miyazaki fans and older fans who have been around for a while we know all and love it (at least I hope you all love it?). But, this is a true story, I wonder about younger or casual audiences. Once at my local anime shop they had a Jeopardy game going and the final question was… What was Hayao Miyazaki’s directorial debut? I was out of the competition, but I was all over it. The room was mostly those in their teens and early 20s and they could not come up with The Castle of Cagliostro. Being well into my 30s I blurted out the answer and one person asked how did I know? My answer… I’m old (wah wah wahhhh…)

coc_2In all seriousness I am not old, just classic. Just the same as The Castle of Cagliostro. This is a fine film and Lupin in this film is honored more like the original Arsène Lupin of Maurice Leblanc than that of the manga of Monkey Punch; he a true gentleman. And as much as I prefer the harder edged Lupin character, I can’t help but love this version of the master thief. In a similar way I look at this film kind of like my love of James Bond movies. I prefer the harder Bond be it George Lazenby, Timothy Dalton or Daniel Craig. But sometimes the films of Sean Connery or Roger Moore carry the character so well that I can allow a little more chivalry. Plus, Lupin has that awesome green jacket. I love that green jacket.

coc_3Besides all the Lupin-ness that is Castle of Cagliostro, this movie is pure Miyazaki. The look, the movement, the comedy is what we all have come to expect from the great director himself. From the word go Lupin and Jigen rob a casino and get away only to realize all the fortune that they heisted is plain and simple… fake. Counterfeit. And in a crazy fashion they cast the cash to the wind and we get into the titles with that beautiful ballad Fire Treasure. What a start! And then you get into one of the greatest car chases ever, antics working with and against Lupin’s rival Inspector Zenigata and a clock tower fight with the Count of Cagilostro that has been referenced in various forms from The Great Mouse Detective to Batman: The Animated Series. Funny thing in regards to The Great Mouse Detective is that Disney had to animate it with CG because it was difficult, yet almost a decade earlier the crew at TMS who made this whole movie did it all by hand in less than a year. Props to you Japan, I love ya for not denying the fact that stuff can get done!

coc_4Now some thing that came to me as I am an astrology buff. Yes I find weird connections to astrology because I am a dork. Isn’t it funny as how the seal of the Count of Cagilostro is a goat-fish… Capricorn. He is after all power ambitious, reserved and a little kinky (chasing after Clarisse). All descriptive of a Capricorn. Capricorn is also the sun sign of our director Miyazaki-sama as well. Too many connections. Though I am not saying Miyazaki is like the Count. Because that Count is a dirty old scoundrel of a man and Miyazaki is the premier definition of a taskmaster professional.

It’s not my place to say anyone should see a particular anime. We have our own unique tastes, BUT… Castle of Cagliostro is a very big exception. Watch it, own it, download it, spread it on toasted bread if that is your fancy as I don’t care how you appreciate this movie. I only care that you do appreciate this movie.

#39 : Night on the Galactic Railroad

notgr_1I lay awake at night and often think and wonder. A child’s question of, “Mommy, what happens to us when we die?” Or, “Why do we have to suffer?” come to mind. Deep questions, but very important to have a sense of knowing that death is not an end and that life’s lessons can be hard, but beneficial for growth. In the end we all have to make sacrifice and when that sacrifice is to better another for no reason beyond providing a moment of respect, then that is unconditional love and true friendship. This is my friend, who I love, Night on the Galactic Railroad.

notgr_2Childhood can be a difficult time when you are a small and quiet child. Particularly when you grow up as a boy as you can be an easy target for bullying from other children. This is even more true when you are not involved with your fellow peers. Giovanni is such a child. He often falls asleep in class, not because he is a slacker, but because he has to sacrifice for his family. With an absent father and sick mother, young Giovanni has to work to help the family unit. He is essentially alone in the world around him, but his life is about to be turned upside down. On a quiet night he is welcomed to join an incredible journey as a locomotive arrives in a field he is laying in out of no where. And like in Galaxy Express 999, this train does not run on tracks, but flies through out the expanse of outer space… the only way to travel.

Aboard this train he meets his classmate, Campanella, who has always shown compassion towards Giovanni and the two of them enjoy a travel to the stars and beyond. Along the way they meet other travelers and discover the beauty of what the universe has to hold. Each circumstance brings it’s own experience or story as Giovanni and Campanella both enjoy their voyage. Is this all a dream? Could it be the line between life and death? Why are these two boys on this train ride into the great vastness of the universe?

notgr_3Let us look at the concept of sacrifice once again as we all know you can’t get something for nothing or achieve without giving up something in return. The basic law of compensation. The ‘Flame of Scorpio’, which may be my favorite bit of dialogue in the whole movie, I think wraps up the whole idea of giving for a greater cause. Of any ‘children’s story’ I have come across, this has to be the most spiritual, deep and melancholy. As C.S. Lewis once said, “A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.” So true for Night on the Galactic Railroad.

notgr_4Plus, this movie has anamorphic cats for it’s main cast. I’m a cat person, so there is a little bias, but from early on the production crew wanted to portray our main cast as other than obvious humans. After all a cat can have a human experience too, as they have a particular sense of their own consciousness. Mix that with the references of Miyazawa’s Buddhist ideals and a sprinkle of Christian symbolism makes this a film that can be understood no matter your beliefs. Faith and spirit always return back to the one source. And that source is the beauty of the darkness and space and the reality of the material and closeness of the cosmos and our own Earth. Night on the Galactic Railroad reminds us about the joy and terror of the unknown as that unknown brings exponential rewards.

How does one describe such subtle beauty? In the vastness of the dark of space, or on our planet Earth, we can often feel out of place or alone. But in all the space between most of us there is always someone who will want to share a moment of time with you? And some of those moments might be the best and/or the last time another may share only with you and you alone. Never underestimate the power of those who love you or, the power of the universe itself or… the power of this movie.

#38 : Space Adventure Cobra (movie)

For most of us, and long before the newer releases, we had two avenues to see Cobra. You either started with the movie being discussed here, or the TV series. And though it is the same character and surroundings, both options are very different. For me I went with the TV series first. When I got to the movie I thought… wait a minute, this is kind of… not the same. Almost like watching the Ghost in the Shell movie compared to the GiTS: Stand Alone Complex series, there is something a little not unlike the other here.

sac_m1As stated earlier the setting, characters and feel are still very much like the TV show, but Cobra the movie, is much more surreal. Surreal to the point of being psychedelic? And perhaps I dare to say slightly darker tone. Wait, how can Cobra be dark? This is Cobra, one of the heights of fun space adventure science fiction. But, if you see the film you will understand. Even the look, going back to the surreal and psychedelia, wraps itself into the movie. It’s director Osamu Dezaki’s vision through and through filled with vivid color and odd moments of spectacle. Without question it is one of the most visually appealing films of the 1980s. You can watch this film on silent and still have an experience you will have a hard time to explain with mere words. And as this is a space sci-fi movie, the experimentation of techniques used here are… far out, but not lost in a mess.

sac_m2The story is a reimagined tale of the first arc of the Cobra TV series and manga. Cobra gets caught up with the beauty triplets of Jane, Catherine and then Dominique as they try to search for the lost treasure… no wait that was dropped… they are searching for love? Well the girls are and guess who is the one who is loved? It’s Cobra himself; I wonder if Lady Armaroid is jealous (Cobra’s female robot sidekick). But, love? I said that the TV series was sexy and this movie is in a way as well, but it’s a more monogamous, perhaps tri-gamous, as Cobra is not being the usual ladies man. How can he? We have to keep to a tight schedule on this movie and only the sisters are for him to admire. It works.

sac_m3Of course the crew are aided with advice from Professor Topolov/Toporo… and where did this guy come from? He is always floating in a bubble and he is kinda creepy. Almost like a chaperone for Jane and the girls… who thought up this guy? And then Cobra has to duel it out with the classic villain of no compare, Crystal Boy/Bowie! That dude is creepy no matter where he is presented, be it TV or movie. Pure genesis having a naked crystal clear man as your antagonist (very,  very bold).

sac_m4My only gripe is that the Japanese voice cast for the film is not the same as the TV show. It’s well done, but it is odd who a television series and a movie made the same year could not share the same cast? A little disappointing, but hey the English dub is not too bad. So I can watch Cobra in English? OK, plus it’s Dan Woren’s voice as Cobra. It’s no substitute for the TV series, but it is equal in it’s own way. You have to see both to understand. But what makes either version great, and in particular this movie, is the production quality. Tokyo Movie Shinsa back in the day always had a great look and with Dezaki as director, it shines even brighter.

A toast to Space Adventure Cobra… and maybe be like Cobra and enjoy a cigar, or maybe not as it is not healthy.