dyr #48 : Super Dimensional Cavalry Southern Cross

Oddly enough, even though The Masters section of Robotech was a little convoluted, I always loved it. It was the characters plain and simple and their relationships. Also how a rag tag bunch of odd balls, a strong trio of female protagonists and an angsty guy who wants revenge turned from a semi-fun sci-fi mecha show into an epic tragedy where there was no clear winner was a breath of fresh air (Ideon did a similar feat, but that was years down the road for me). Of course the Americanized adaptation acted as a bridge between the original Macross and Genesis Climber Mospeada, but what about Southern Cross as it’s own independent story without shoehorning the odd glue of Robotech’s definition of protoculture?

SoCr_1Humanity has expanded out towards the stars and has settled a planet (wow, never heard that one before) named Gloire. On this planet we have a group of military defenders who keep watch  (again, never heard that one before)and one of those fine soldiers is in the brig and is about to be released and taking her place is her lady killer squad leader (NOW, thats different!). Jeanne Francais, our former prisoner, is a bit of a free spirit and occasionally a trouble maker, so it makes sense she is now head of the Tactical Armored Corps 15th Squadron. I love anime logic 🙂 But of course she would be brought back into the brig again while doing what she does best, like knocking over a military police robot. And while all this fun is happening an alien fleet approaches our peaceful planet. Peace time is now over.

Amidst the fun and antics, there is an honest serious military drama with an alien invasion. These invaders, The Zor, are eager to return to Gloire as this was their former home world. A war erupts and in this show we get a unique type of robot, the Spartan. A hovering tank that transforms into a robot. Nice touch. This is the main mecha for our girl Jeanne, but how does it fair against the Zor’s main machine, the Bioroid? And in particular a ‘red’ version… wait a red one? This reminds me of Mobile Suit Gundam for some reason? Hmm?

SoCr_2Complimenting Jeanne are two more strong ladie, who are the direct opposite in personality and method. Marie Angel is a hot shot pilot and Lana Isavia is one of the military police’s strict officers. Totally new for mecha anime at the time, these girl’s set a standard for having girl power in a robot show. THANK YOU! Joining Jeanne as well are her squad mates including tech guru Louis, ‘Casanova’ Charles, grumpy Andrzej and sensitive Bowie; plus General Rolf Emerson and a mystery man who is a captured and put under the watchful eye of Jeanne, Seifriet.  And with Seifriet, the story really begins to ramp up in intensity as well as Jeanne’s fluttering heart for her crush on Mr. Longhair.

SoCr_3And now for something a little different, what of pop culture references? Oh they exist as well. Such as when the 15th Squadron elbowed their way into a downed Zor ship and eventually getting caught into a large trash reservoir. And guess what? The walls are moving together. Sounds like one of those famous scenes from Star Wars: A New Hope. Yet I liked this one a little more as Jeanne gets a little trigger happy and all her boys and her have to deal with a ricocheting laser blast. And all that background music, I wonder if that once popular band known as the Police ever heard what Japan released. True it sounds very much like the Police’s 1983 album Synchronicity, in particular the title tracks Synchronicity I and II, that I wonder if Sting himself wrote this soundtrack.

SoCr_4When the original shows that made up Robotech eventually got a domestic release, Southern Cross would be the first one I got. Perhaps it was the cheapest at the moment, or maybe I was extra curious to see how this uncut tale actually unfolded? Again it like reading the original novel to a major motion picture and you find the details you had been searching for. Some are not too keen on Southern Cross as a series, but I can’t help but enjoy it because it has been around me for so long. Plus this series has made me a fan of character designer Tomonori Kogawa’s work.

If only this show did not have a short run, who knows what could have happened. As for what we got, and in particular the ending, I am more than satisfied (Yoshiyuki Tomino did you work on this?). Super Dimensional Cavalry Southern Cross, you will always be one of my dark house favorites.

dyr #4 : Birth

I have seen many opinions in regards to this one off. Some like it, some think it’s too weird, some think it’s garbage. I LOVE this OVA and I am out and proud of it. True it is an acquired taste, but I think I may know what turns off some, but also what turn’s me on to this oddity. What is it? Well that little ol’ production from 1984… Birth.

birth1Birth was a title I was lucky to come across very cheaply. Remember when you could get a brand new title off of Amazon for under $4.00? I believe I spent around $3.50 (the glory days of $2.99 shipping). I see it as one of the best return on investments I have ever put into any DVD, because I have watched Birth time after time after time and loved it more each time. And just what is it about Birth that I love so much? I mean it is basically a long chase scene and treasure hunt that ends with the whole universe… whoa wait, don’t want to spoil the ending now. Now… I present my reasons, so read on.

An animator’s playhouse: As someone who has a background, education and interest in art and design I often view certain anime a little differently. In this case I see this property as a fun time for all the animators and staff who worked on it. Very creative, but not serious and artsy fartsy (if you want to go that route try Angel’s Egg). If I could get a gig like this, I would say yes in a heartbeat.  Plus Yoshinori Kaneda had a big hand in it’s conception (see recommendations below). So expect lots and lots of motion. Plus, it was animated by one of my favorite, now defunct, smaller animation houses, Kaname Production. Also, Hideaki Anno (Mr. Evangelion) had a hand as well as an up and coming animator.

birth2Characters and their design: The design and animation of Birth is very much in contrast to almost a majority of what came out in Japan in the 1980s. The characters are very organic and blob like, maybe a touch liquidy. Is that is why the planet is called Aqualoid? Plus our main cast is a rag tag group. Our main duo, Rasa and Nam, are either brother and sister or boyfriend/girlfriend, in any case they are close and watch out for each other. Boa is a goof ball space trader who has a lolita complex for Rasa. His business partner, Kim, is often the voice of reason in their partnership. Plus you have your array of minor character including the Inorganics, other humans and these blob type things, one of whom belongs to Rasa and is named Monga. MONGA! MONGA!!!

birth4Humor: I find Birth to be amazingly funny. True some of the humor is ridiculous, but it works well for my tastes. I mean you have the scenes where Rasa is called out as a jiggly-butt by the Inorganic bikers or they have the comment “Just because a woman is smart does not mean she can sell a cow.” Or, the kid Inorganic hitting on Rasa and after rejection he has a scene at a beach. Or Bao just being Bao. All in all it is weird, spastic and goofy.

birth3A higher reason: Now how can Birth be deep? Well, the notion of the spirit like Arlia (hey she’s a pretty ghost according to Nam) explaining the universe is made up of several levels and that the Organics and Inorganics are both a product of the same source makes you think twice, what am I really watching here? Even goofy cartoons can add a like mind bend. Plus at the ending… oh yeah can’t spoil it if you have not seen it.

Music: And finally… the soundtrack… composed by the one and only… Mr. Joe Hisashi. Oh yeah, Miyazaki’s favorite composer did this one too. It has a similar vibe to what he did on Nausicaa of the Valley of the Wind and Genesis Climber Mospeada. Not very orchestral and more synthesizer and pop/rock in it’s approach.

This is one that I think needs to be viewed in order to have a proper frame of reference. Or having the option of viewing it with someone who is familiar to the property to point things out or hear them chuckle at certain times. As I mentioned above this is an acquired taste, so take what you will from it. If anything this showed the freedom of the era it was produced because we just don’t see this kind of odd ball stuff being released as often anymore, unless there is a huge marketing campaign behind it. As for me if I need to make a top 10 of 80s anime, this is one I would include (honest).