dyr #36 : Panda Go Panda/Rainy Day Circus

pgp_1There is the old saying that ‘anime’ is not for kids. It’s oh so mature and again… not for kids. For some ‘anime’ that is very true, but for all of anime itself, no. Is Doraemon for kids? Yes. Can a lot of the shonen and shojo titles that some consider ‘not for kids’ have an appeal and are made for a younger demographic? Yes. And Studio Ghibli titles, do many have an appeal to children, i.e. Totoro, Kiki’s Delivery Service, Ponyo, Castle in the Sky? Yes, yes, yes and YES! What about an early film series from Miyazaki and Takahata, like Panda Go Panda and it’s sequel Rainy Day Circus? Yup, it’s all for the kids.

pgp_2Way back in the early 1970s, after their tenure on the first Lupin III TV series, our intrepid heroes Hayao Miyazaki and Isao Takahata were looking to do a project on their very own. A good decade before opening Studio Ghibli these boys had the idea that they could make a movie themselves, by their rules. The idea was simple, let’s make a version of the western tale of Pippi Longstocking. They even went all the way to Sweden to get the rights and in the end were rejected. Now what? Well why not take this character design that Miyazaki made who looked like Pippi and insert something else that could make it sell. What about pandas? They were fairly new to the zoos in Japan. Hmm… sounds like an idea that can work… OK we have a movie!.

pgp_3Thus Panda Go Panda was born. A simple tale about a girl who befriends a large papa panda (Papapanda), who looks like a creepy version of Totoro. Don’t quote me, but that dude is kind of scary to me. And a little baby panda (Panny) joins the mix as well as our young hero Pippy… I mean Mimiko becomes the mommy? And that’s as deep as this little story and the follow up Rainy Day Circus follows the formula. Both stories are cute as they are targeted towards young children and I don’t see anything non-offensive, except that giant daddy panda. Everything to him is nice, the weather is nice, the bamboo is nice. Maybe I am overthinking a simple kid’s movie?

pgp_4These two tales are the innocent days of being four, five and six where anything can happen because your imagination was not corrupted by TV, the internet or peer groups. I want to reclaim my innocence, then I could fully appreciate these titles. Though for the time these are great looking movies and with the shorter runnings time of just over half an hour each make them more palatable than say the longer Toei movies of the time like Puss n’ Boots and Animal Treasure Island. Besides all this, the historic significance of Miyazaki and Takahata making their own project is of great importance. Miyazaki contributed designs and the story and Takahata oversaw the whole production as director. Truly the best example of proto-Studio Ghibli.

Anime is not only for adults. Never has been and never will be. True we have titles that are made for more mature eyes, but you have to have titles that can be enjoyed by those before the years of puberty. Because anime in the end are cartoons and all cartoons are are images put to video. And cartoons, be it anime or not, are not mutually exclusive to one age demographic. There are cartoons for kids and cartoons for adults. Some of it is called anime and that is stuff made in Japan for Japan that ends up getting out to the rest of the world and we all fall in love with it. If you have kids and you love Studio Ghibli, well your kids now have the perfect gateway anime Panda Go Panda and Rainy Day Circus. In the end, we all win!

dyr #33 : Neo-Human Casshan

cass_1If you want to be a superhero, there is one main rule to follow. True you need to have some kind of power that makes you… super? But, even more important, you have to have a great costume. Casshan’s uniform is second to none and has left an influence onto future creations, not unlike Megaman. A helmet clad cyborg hero in a world that has flipped upside down trying to make it right again, while looking awesome in the process. I call that worth a watch! Tatsunoko redefined the concept of the superhero in the early 1970s and this was their second concept to hit the market. A reborn human, or a cyborg, better known as Neo-Human Casshan.

Say Casshan… one thing before I begin. The spelling as ‘Casshern’, what is this? Hearing the original language track and I hear something closer to ‘Cassharn’ so ‘Casshan’ is more appropriate? Enough of the being on the soapbox. …

cass_2Oddly I came to the original Tatsunoko production of 1973 not first in my journey of watching all that is Casshan, but last. I watched the 90s OVA first (I thought it was ok), then Casshern Sins (I loved it) and then the original. For some weird reason I thought the original series, before even watching a minute of it, was going to be a little bit of a brighter and more fun series. Of course I had seen the original Gatchaman, Tatsunoko’s first superhero series (and a good one), and that was a bit of a more serious affair and the same was also true for the original Casshan. My gut instinct was wrong, just don’t ask me what I ate that day to have me come to that original conclusion.

cass_3Casshan like in every other adaptation is the lone warrior, the anti-hero, the one who is unjustly given a role to make right in a world that has gone wrong. The cause of these issues was an accident that brought a robotic creation of his father’s, BK-1 or Braiking Boss, to life. Braiking Boss’s awakening corrupted his logic and function, which in turn makes him the main bad guy of the series. To counter this error, Dr. Kotaro Azuma’s son Tetsuya volunteers to be reborn as a cyborg to fight the robot army of Braiking Boss. And it is this army that has taking over humanity. Their purpose is to eradicate the human race because these robots think the only way to clean up the pollution and problems of Earth is to destroy the inhabitants that created it. Kind of like Frankenstein meets Fist of the North Star? And speaking of FotNS, Braiking Boss you sound a bit like Raoh (Kenji Utsumi voiced both roles).

cass_4Mixed with the social responsibilities are Casshan’s personal struggles of the break-up of his family and his distancing behavior of forgetting his former identity of Tetsuya Azuma. His personal angst is most apparent to his friend Luna, a long time friend and maybe a love interest. But to me the most touching moment of his troubles are his interactions with Swanee, a robotic swan who acts as a spy for Casshan, but also Swanee contains his mother’s soul or essence. The interaction between these two are the most heartfelt as Casshan, or should I say Tetsuya, really wants to reconnect with a relationship with family. And who says being a super hero is easy? With every duty comes a cost.

In terms of western story telling, Casshan reminds me of the lone cowboy, but to be eastern appropriate, Casshan is the lone samurai. Except he is not alone. Fighting along side is a re-invention of the Azuma family dog Lucky now known as Friender. And if dogs are man’s best friend, then robot should be added to the equation as well. The pairing of these two make a formidable combination and to state it again, both are great examples of design. And speaking of design, Casshan has the great look of the early Tatsunoko shows of the 1970s and perhaps 1970s anime in general. This show looks like it was made by hand with heavy emphasis on strong lines that scream pencil and ink. Beautiful and rough.

Heroes come and go, but legends never die. Thanks to a couple reinventions the name Casshan will live on longer. Much like Yamato and Gundam, remakes can sell ideas to a new generation, but never hold the honesty of the original. Neo-Human Casshan you are a one of a kind.