dyr #58 : The Professional: Golgo 13

Duke Togo, alias Golgo 13, you sir are one tough motherf$@%&#.

G13_1To preface the premise of Golgo 13, think James Bond, more like Daniel Craig or Timothy Dalton’s portrayals, but even more sinister. Also think of Lupin III, but a Lupin who has no sense of humor. Golgo 13 is the definition of a hired hitman, or perhaps maybe a programmed machine. He is more humane than say M.D. Geist (I still don’t get that dude, but I have written about that already), but Golgo 13 is still a very stoic and pragmatic individual. His life is a series of contract hits to frag spliced between getting into bed with one glamorous woman after another. To some The Professional: Golgo 13 may be the ultimate action flick, but this film displays other aspects that make it a visually artistic classic.

G13_2One name makes me think of this movie and it’s not the original creator, Takao Saito. The man I am thinking of is in my opinion one of the greatest directors from Japan, one of studio Tokyo Movie Shinsa’s (TMS) best, the one and only, Osamu Dezaki. His style of rough thick lines, triples takes, dramatic lighting and pastel still shots add a level of film noir, style and sex appeal that transforms the story of a dry hitman into perhaps the best pulp noir comic come to life I have seen to date. It looks un-mistakingly hand made, with the exception of the early CG footage in the titles and the goofy helicopter sequence (why did they not just hand draw it?). In my honest opinion it may be the best adaptation of Dezaki’s visual style. Sex and violence never looks so… stylish?

G13_3The plot meanders around various segments, but there is a singular tie that holds everything together. Tycoon Leonard Dawson on the day of his retirement is about to hand over his empire to his beloved son Robert until… until young Robert is murdered in cold blood. Enter the melodrama. Leonard Dawson throughout the film in a psychotic rage has only one passion and that is to get the man who took away his son. And guess who shot Robert? None other than Golgo 13 himself. So why would Golgo 13 shoot young Robert? Because that was his job, his contract to fulfill and I will not reveal who it was who hired Golgo 13, but it definitely makes the movie a very interesting experience. One great plot twist that makes the ending completely difference than what you expected.

G13_4I want to come back to the element of style for this movie. Though it was produced in 1983 and the original manga began in the late 1960s, this movie to me feels very 1970s. Give me the wood grain finish on anything, or everything in any scene’s room. Show me those funky clothes, the nasty smell of Golgo 13’s choice of cigarettes (Parliaments no less), the Farrah Fawcett styled hair from character designer Akio Sugino (I swear all his women could have been one the cover of Cosmopolitan back in the day) and the showcase of classic cars.

Another way I can look at this movie is to compare it to Quentin Tarantino’s Pulp Fiction. While both films are wild rides and have a similar look, at least from my eye, I find The Professional: Golgo 13 to be less romanticized or idealized, maybe even fun. Both films deal with the story of a hitman, but in typical style from Japan, Golgo 13 is not Hollywood-like and thank goodness for that. I often wonder when this film originally was produced if it could have been created for the Western market as a possible export. This is one of the few films I can show my dad, who is not into anime at all. But, he likes mob and tough guy movies and Golgo 13 hits that mark very well.

The Professional: Golgo 13 may not be everyones cup of tea in regards for story, but I have to highly recommend watching this film at least once to see the style of Dezaki’s work in action. The Space Adventure Cobra movie is another possibility, but it does not hold a candle to Golgo 13 in terms of mood and visual story telling. Lastly, I hope you are never on his hit list and just in case if you are… “I pray for you. Pray for you (enter the whaling guitars).”

dyr #58 : Akira

Akira_1You my friend are like Bob Dylan. You are the spokesman (or perhaps spokes-anime?) of your generation. And such a fitting title to boot. Akira. It’s short, sweet, bold and makes you wonder what the movie is about? And for several years, if not a couple decades and change, I still ask myself this same question. And from all the viewings I have come to my own meaning since I am not all that familiar with the original manga. In any case, Akira stands as one of the quintessential definitions of what anime can become… huge, epic, thought provoking and awesome red motorcycles. For many otaku of a certain generation here in the west, it stands as one of the first anime that either: a) made us anime fans or b) solidified our love of Japanese animation to a level we had no idea that could be reached or even existed.

Akira_2Epic, sublime and down right dangerous… this is the world of Neo-Tokyo in the aftermath of a devastating war. Politicians and the military try to fight for power to control the masses and yet let the society kind of deteriorate at the process while they greedily grab cash and power at any quick moment. Remember the scene where the counsel member who tried to escape with his briefcase of money only to die in an alley from a heart attack? And it is in and on these streets that have gone to waste we find our main characters. They are street punks, juvenile delinquents, who ride motorcycles and fight rival gangs. And two of them will be our heroes so to speak. A small, quiet, insecure yet angry young man named Tetsuo and a cocky self assured leader who has quite possibly one of the most iconic motorcycles to appear on any screen, Kaneda.

Akira_3Eventually these boys will come into contact with the military authorities and their lives will be changed forever. Either through contact with what looks like old children who have esper type abilities or perhaps awakening a power within himself (could it be possible to awake this in all of us?), Tetsuo begins his journey of becoming a power beyond control as he is carried off to be examined. The struggle begins now as Tetsuo, who only wants to be left alone, is constantly being controlled. And much like school shootings of recent history in our ‘real world’, Tetsuo is a textbook example of allowing a potentially good kid go bad. He is to blame for the eventual destruction he lays out on the city, but that blame belongs to us as well as we let potential young people rot away into self pity and depression. His responsibility is ours and ours is his.

Akira_4My view of Akira is that no matter the environment or circumstances, we are the creators or destroyers of our world be it within the confines of the body or what we perceive to be the outside world. The more we try to control the outside environment, others around us or use the gifts given to us to harm or disconnect us from the natural surroundings, we are doomed to failure. But from failure and destruction much like a phoenix, there is great potential to start again. All endings are beginnings and likewise all beginnings are endings (the constant cycle of life and time). It is how we adapt to these changes that will show the results.

Go big, or go home. Such is much of the work of original creator Katsuhiro Otomo, as all hell will break loose and get out of control if we allow the weeds to permeate the garden so to speak. Akira is also a hallmark of the quality of one of the best studios in Japan, TMS (Tokyo Movie Shinsa). You can see this as an action film, a fluid piece of animation, or an allegory to what potential we have in all of us. I cannot deny the awesome power of what Akira is for me as a fan; it is required viewing to truly appreciate the power of what anime truly can express. No matter what, I will always cheer GO! GO! Akira! 

…Now I need to find a dealership that has Kaneda’s bike. Any idea what make or model it is?

dyr #57 : To-Y

Rule number one for rock n’ roll… never, ever, but never, sell out. Rule number two… repeat rule number one. Got that? OK, now let’s move on…

toy_1Here is a common tale about a young man who lived in 1980s Japan. He is a singer in a band and the name of that group was Gasp (note: The ‘A’ is the anarchist symbol when written… that earns 1,000 bonus points from me). A punk quartet they all were and the name of the leader, who this one-off OVA surrounds, as well as the name of this anime title is none other than To-Y (pronounced ‘toy’)… must of had interesting parents.

toy_2Our story begins at a live show where Gasp is playing their hearts out when a rival of To-Y decides to start trouble and the two get into a fist fight. Despite their popularity they are shunned from the venue and the band decides to regroup for their next show which promises to be a big break. To-Y returns homes with what looks like some groupie tag along who eventually meets a beautiful blonde girl who looks very similar to To-Y due to the fact that she is a direct cousin. She of course is a pop star and her manager also managed the boy who started the fight with To-Y. And it seems this manager wants to sign To-Y as well, I wonder what tricks she will try to lure him in (she looks quite dangerous after all)?

toy_3Don’t expect too much of a plot due to the length being under an hour. And… also be prepared for an open ending (I am still scratching my head on this one?). But what you should  be ready for is a production that is filled with style. I mean we are dealing with punk rock, the 1980s and early MTV styled creativity full steam ahead. It’s not a pretty piece, though it caught my eye for sure, but it is a good looking one filled with color and special effect that harken to the period it came from. Never the less, if I can sum up To-Y I would say it is a poor man’s Jem and the Holograms, with the boys being in the band and no sci-fi or holographic transformations (shows over Synergy).

Music is one of my many loves and finding anime that tell stories about young men and women who play instruments and form bands are welcome in my house. Call it wishful fantasy for a guitarist like myself that never quite got a band together, or call it a nice alternative to the usual robots, fighting or magical girls. To-Y is one of those odd ball OVAs that you dig up and for me am happy to have discovered. “Hey, hey. My, my. Rock n’ roll will never die.”

dyr #56 : Genesis Climber Mospeada

mospeada_1Long ago, and yet supposedly set in the early 21st century, a band of six individuals bonded together out of fate to be a resistance squad to fight against an alien invasion. And what a rag tag group as it shows you never know who your friends will be. But at it’s heart Genesis Climber Mospeada is a mecha show with a unique transforming concept. And like the name of Mospeada being a type of motorcycle, this show has been around with me for a long, long ride. Strap on your helmets, we are about to head out on the open road.

mospeada_2As for the unique concept mentioned earlier, I have always enjoyed the gimmick of the motorcycle becoming wearable mecha armor. IT’S SO TOTALLY COOL! I remember the first time I saw the so-called transformation way back when and I said in awe, “Whoa… that’s different… I LIKE IT!” Of course this may not be the first time it happened in anime, I have no proof of what was first, but the idea would repeat itself in Megazone 23 (another favorite of mine). Of course both of these shows featured the mech designs of Shinji Aramaki, who would later become a director of a couple CGI movie adaptations that fell flat for me.

mospeada_3Our story begins with Stick (I liked the mistranslated Stig as well) Bernard, a young pilot coming from Mars who is part of a military unit intent on reclaiming Earth after the invasion of the Inbit. Tragically after being shot down by the Inbit’s insect like mechs, Stick finds himself alone as the lone survivor of the failed mission. In typical military fashion, he continues on to find the Inbit’s main headquarters of Reflex Point. But along the way he would gain allies: a desert rat scrounger (Ray), a crybaby kid (Mint), a hot shot blonde with skills (Houquet), a cowardly, but dependable mechanic (Jim) and a lounge singer who turns out to be a soldier who uses the singing act as a matter of hiding out from the Inbit (Yellow, the first individual I ever saw who pushed gender). These six gain camaraderie by pursuing Stick’s goal of finding Reflex Point and finding others who are willing to fight for the cause.

mospeada_4One aspect that makes this show great is the fact that to me at least it feels like a western. Our cast are like strangers that come into a town every episode and while each episode is it’s own story it builds towards the whole of the totality. It’s one of those solid series that works for me on a personal level and is one of those shows that has three distinct reasons that make it shine. One is that it is a product of that fabled studio known as Tatsunoko, you got to love the tradition (Speed Racer to Gatchaman, to production on Macross and Evangelion). Two, the character designer Yoshitaka Amano. Not the lilting gothic look most of us are used to, but still the same quality. And of course the music is by old Joe… Joe Hisaishi. The soundtrack is more rock and jazz compared to his grand work with Hayao Miyazaki’s films, but still memorable.

mospeada_5Now to compare to Robotech: The New Generation, I actually have a slight favoritism toward the Americanized adaptation (let me explain). Not saying it is better by any means and I am not flying a flag on stating the original is the measuring stick to follow either. Some of the story development I just preferred in the Robotech version and I can point to two direct points. One, Yellow Belmont (Lancer) was voiced by only one person, a male. True he has the dual gender identity, but keep it honest with the singular voice, just slightly changed. Yellow can rock a dress, but he is an androgynous man , ‘The Lonely Solider Boy’ (just better consistenancy). And two, the character and saga of Rainy Boy (Dusty Ayres). His revenge story in Robotech seemed more interesting than just being a mercenary working along with the Inbit to win back his freedom. Definitely one of my favorite anti-hero characters of all time; tragic, yet powerful.

I often think that the initial anime you are exposed to leaves the most indelible marks on you as you progress into fandom. Some you may out grow due to aging or peer pressure, some you may continue to grow into your first experiences and some you end up trying it on again to find it still works the same as before. Mospeada has always been a strong contender in my book and I am sticking with you till the sun sets in the west for the final time. Long may you run Mospeada… long may you run.

dyr #55 : Venus Wars

VW_1You and me go back quite a ways, eh Venus Wars? True story… I introduced a couple of my friends in high school to Robotech and eventually they would become a little bitten with the anime bug. I can’t say for sure of where they are today as I have not seen them in quite a while, but one of them ended up getting Venus Wars on that old standard we all loved a long time ago called, VHS. I remembered it as a good film and oddly enough it would be one of those properties that acted as a bridge between my early years of initiation and my later years of being a hard corps classic otaku. I just got a copy on Blu-Ray and re-watched it for the first time in HD. Do I still find Venus Wars enjoyable?

VW_2So apparently in the future (2003 ah what a year) a comet collides with Venus and over a short period of time. The second planet from the sun becomes habitable, though life is difficult. Farms don’t yield the prospects that politicians promised and in due time tensions heighten between the nations of Aphrodia and Ishtar. Now enter our main cast… the first being a group of young bike racers and their entourage called the Killer Commandoes who compete in a sport mixing traditional racing with more contact and rough house like Roller Derby and the second, a spunky reporter arriving from Earth to get the scoop on an impending war. And just like that Ishtar invades invades Aphrodia exciting our reporter, Miss Susan Summers, and shocking our bikers and crew: Hiro, Maggie, Will, Jack, Miranda (I love you Miranda!) and the grizzled team manager Gary. Soon Miss Summers will come into contact with the Commandoes and there first order of business is to get rid of one of Ishtar’s tanks at their beloved stadium.

VW_3So… let me sum up the rest of Venus Wars with one name, Yoshikazu Yasuhiko. Venus Wars looks like a YAZ show, it acts like a YAZ show, so I have to love it (Yeah for YAZ!). The director and character designer of the likes of Crusher Joe, Giant Gorg and Arion (and don’t forget he was character designer of the original Gundam), Venus Wars would be his final work within the frame of animation until the adaptation of his recent more manga, Gundam: The Origin. This film is based off of his manga (no surprise), which from peaking at a couple of chapters, seems to be a little different. Hmm? No problem though. Venus Wars is kind of a mix of Gundam with Akira. Hiro, our main protagonist, is similar to Amuro Ray, though I have to give more credit to his ‘character’ to that of Zeta Gundam’s Kamille Bidan. He has a major chip on his shoulder.

My only gripe on this movie is that it ends oddly for me. Our hero Hiro (is that a pun?) is active in the deciding battle and from what I can tell this was the only battle he was in? Then he gets honored by his unit and is let go to find his friends (which ends up with him reuniting with girlfriend Maggie) all the while enjoying a music sequence of him riding around. To be honest, I should get off my high horse, but it just seemed like a bit of an elongated finish after the climax that seemed to have come a little too soon. I will now retreat from the soapbox.

VW_4As I mentioned earlier my first exposure to this movie was at a friends house back when on VHS. A few years later when I was in a small town stopping at a video rental store (do you remember these?) I came across a used copy of the original DVD release by Central Park Media. It had been a while since I saw the movie and it was on my mind for some reason. Then lo and behold it was in front of me. Fast forward to a month ago and purchasing the new Blu-Ray release and wow how it looks pretty. Maybe no where near say an Akira, Wings of Honneamise, or Patlabor: The Movie, but it is very fine indeed for a fun action flick. Look at all the pretty colors 🙂 Nothing beats hand drawn animation!

You and me have been together quite a while, eh Venus Wars. Motorcycles, war, young people coming of age, action and all on the planet Venus to top it off. You may not be the best movie of all time, but who cares, you are a fun ride still today as ever. Venus Wars, you have been a loyal companion, may we ride again in the future.

…also to all my Studio Ghibli fans… you know Joe Hishashi right? Well the soundtrack to Venus Wars was composed by none other than him. How about them apples?

dyr #54 : Neo-Tokyo

Short collections are always welcome in my world. Anime often becomes a system of stereotypes… Shonen fighters, magical girls, mecha, Ghibli films. All are great, but is this all that there is to Japanese anime? And of course the answer is absolutely not. There is always something of an alternative. Something more artsy, a little bizarre and uniquely it’s own thing. Art for arts sake and without compromise. A true hallmark of that awesome studio known as Madhouse, welcome to the trilogy Manie-Manie Labyrinth Tales, better known here in the west as Neo-Tokyo.

NT_1We begin with my personal favorite, The Labyrinth. Directed by Rintaro, this a feast of visual delight. Rintaro has always been known for being excessive with visuals to the point that what you are watching becomes more important that the story itself. The story is simple here, an imaginative girl who while playing with her lost and found cat gets sucked into a surreal psychedelic ‘labyrinth’ that leads to a circus via a clock. It just goes to show, watch the invitation you receive from Pierrot-type clowns around grandfather styled clocks. I don’t know if this segment has a meaning or point and I don’t care. It’s pure Rintaro and often when I watch his work I just want to bask in it like a painting in a museum. Plus having the music of Erik Satie is a plus for me 🙂

NT_2The second part known as The Running Man is perhaps the most recognized of the trilogy. I believe this had some play on MTV back in the day and it was in the promotional material of Streamline Pictures. This film looks and feels like its creator, Yoshiyaki Kawajiri. He is best known for a lot of seinen action, think Ninja Scroll, but you cannot deny his talent as a character designer. Top notch, meticulous detail exudes in this tale about a reporter who has followed an unbeatable professional racer throughout his career. How has this man survived for so long in this dangerous sport and how long will he last at the top? The action is fast paced, but the sections where it feel that time or movement slows to a grinding halt is where the real drama begins.

NT_3Now to the final segment, I present Construction Cancelation Order. I can sum this one up with one name, Katsuhiro Otomo. It’s Mr. Akira essentially and yes this is a tale where the societal conditions have gone wrong, except this one has a bit more humor. A nerdy salaryman inspector is to visit a construction site in the remote region of South America to essentially shut it down. And that is a tall order as the machines have total control of the situation. And even though the site is in effect falling apart at the seams and abandoned, the worker robots still continue as programmed. Can our faithful inspector do anything to stop this insanity, or is their a way to just get out alive? This reminds me a lot of Otomo’s later work Roujin Z where he shows how letting technology thrive to solve our everyday problem without a safety net can bring disaster and a chuckle or two.

Hold on… we are going back to the first segment again to finish off as a sort of coda. The labyrinth doors closes… The end. Lets gives a round of applause for our three directors everyone.

NT_4So… what does this trilogy of shorts have to do with a title like Neo-Tokyo? Honestly, I can’t see one, except… except that it was most likely borrowed from that contemporary hit film, Akira. As stated, Akira was a license to print money here in the west back in the early 1990s and it’s creator and director Katsuhiro Otomo was associated with the film right off the bat. I am sure the consensus was… we need to find more work that features this guy to cash in on this Akira trend. And of course Neo-Tokyo was prime for the taking as there was not much else out at the time that had Otomo’s name as director on it. Too bad this film is nothing like Akira and that is neither good, nor bad.

A distant cousin to another all time favorite of mine, the beautiful Robot Carnival, Neo-Tokyo is for me darker and perhaps more streamlined. Helmed by three of Japan’s best directors and produced at Madhouse, Neo-Tokyo stands as one of the best examples of how far Japan stretched animation in the 1980s. I often have forgotten about how unique this one was in the past, but that is true no more.

dyr #53 : Science Ninja Team Gatchaman

I have never got the whole idea of the American superhero. Batman and some of X-Men are OK, but the way our media over here has portrayed ‘heroes’ has left me a little flat… i.e. Superman. Now, I love this stuff from Japan, what if they only had something to offer? Oh wait, they do? Lots of options you say. OK then, how about a sentai task force that wears thigh high boots? After all superheroes wear only calf high boots, BORING! So what do we have to watch kids? How about Science Ninja Team Gatchaman? Bird… GO!

GM_1Gatchaman is one of the oldest series to have influence here in the west. Maybe not to the caliber of say Speed Racer, but for those of you who saw the original Stars Wars film in theaters during 1977, you were in for a surprise. The next year, we would get an adaptation known as Battle of the Planets and with all the Hanna Barbara-esque edits, the original essense of Tatsunoko’s work could still be seen. Much the same way in how I viewed Voltron back in the those innocent days of the mid 1980s. And it would be the mid 80s that G-Force Defenders of Space, another Gatchaman adaptation would grace us here in the west. And being that both of these adaptations were during the so-called wild west period of bringing animation over from Japan, a cult following would emerge for the bird costumed quintet.

GM_2As a kid and teenager I mistakingly thought when looking at the show that, “…hey! This is a copycat of Voltron.” I can’t blame my ignorance at the time, but how was a to know that Gatchaman (1972) beat out the like of Beast King GoLion (1981) by a decade. Of course, I know better now. It was Gatchaman itself that would lay the groundwork for the sentai team esthestic that would influence everything from Super Sentai/Power Rangers to mecha shows like Combattler V, Voltes V and GoLion and even shojo magical girls like say… Sailor Moon. Though previously you had titles that featured a team, like say Cyborg 009, Gatchaman would simplify the principle.

GM_3And that principle is the stock and trade quintet: The strong leader (Ken), The rebel (Joe), The cute girl (Jun), the kid (Junpei) and the big guy (Ryu). How many times have we seen this combo? I know I have, maybe it has been modified slightly for whatever show, but that is the standard. Everyone brings their individual strength towards the greater group. So the question has to be, why does this Gatchaman team exist? As created by Dr. Nambu with the aid of modern technology and ninja skills, the purpose of The Gatchaman Team is to bring down the evil organization determined to rule the world… Cobra? No, no, that’s G.I. Joe. Try again… how about Galactor? Yeah that’s the way. And with the leadership of the androgynous Berg Katse and the mysterious Leader X, how will Galactor attempt to foil Gatchaman this week?

Getting back to the beginning in regards to American superheroes, I can’t deny they are an influence on this creation by Tatsunoko Studios. But also tokusatsu/special effects shows of say Ultraman and the idea of being a ninja warrior bring a Japanese spin onto an American invention. Super powers are out, but being skilled, silent and quick are in. Also having a very groovy taste in both fashion and music. This was 1972 after all and the hippie aesthetic was still strong. And that theme song, which was the original ending credits music, is one of the best openings I have ever heard. It simply rocks and in typical seventies fashion it features a brass section, loud guitar and a driving beat.

GM_4So why do I enjoy Gatchaman? Well, why not? The premise is simple and fun and at times repetitive. Ken is not a complete goodie-goodie and has issues regarding the whereabouts of his father. Joe, is the prototypical lone wolf, but he is very endearing and his demise by the end of the show brought tears to my eyes. Berg Katse is an interesting villain with a secret of his own. The quality of the animation for it’s day is very fluid and the use of special effects like lighting (with a spot light no less) and explosions (sometimes with psychedelic like liquids) are handled in ways you don’t see in anime today. It was one of those shows that called out to me and I had to answer to it because after all. we all need heroes to look up to from time to time.

Sometimes they are five, sometimes only one; the white shadow that stalks close to the heart on my sleeve known as the love of anime. They are the Science Ninja Team and they totally belong my collection shelf.

dyr #52 : Ai City

“Everything today is a bargain sale of imitations. That’s why they’re after something real.”

I have an odd attraction to something that leans a little to the bizarre and artsy in anime. I love classics like Angel’s Egg and more modern fair like Mawaru Penguindrum. I also love psychedelia music, art and film be it the original stuff from the 1960s or works that draw from it’s influence from decades later. But what I really like is a). style and b). expression. And Ai City is all of this and something more and to be honest the ending still makes me scratch my head. I LIKE IT!

AC_1Let us consider a cyberpunk atmosphere that could be the future and yet looks like the present moment, whatever that present may be when you are reading this. Kind of like Akira, but instead of the Blade Runner-esque darkness and political intrique… well leave a little of that in for good measure… we need something a little more lets say 1980s and fun. Lets add in a discotheque feel and bright colors that invade into this dark climate. Now we are prepared for this 1986 film. And of course, throw in the fact that a majority of our main cast are espers with as the awesome song in the movie called A Psychik Man. It says… “he’s got super psychic powers.”

AC_2The film begins with a chase between a bike gang who is headed by a pretty lady known as K2. They are chasing our main group of heroes in a car with our main man K driving (he gave the awesome quote at the beginning). His passengers are Ai, or is it I?, who apparently is a clone of K’s former girlfriend, but is younger in age and calls K Papa (?). And in the back seat we have a bumbling drunk detective named Raiden (comic relief) and a big old fluffy cat. Yeah for cats! Needless to say K and K2 meet up and we see how these two espers, or headmeters, charge up and fight. Not so much super saiyan style like in Dragon Ball Z, but they have these gauges in their head that change number amounts. Just watch out if they reach infinity.

AC_3K and Ai have escaped from the confines of an organization named Fraud and K2 is one of their lackeys. After the confrontation between K and K2, K2 disappears and comes back with a state of amnesia and she ends up wearing a Playboy bunny type costume and goes gaga over ohjisama Raiden. No lie to that, its that off the hook! The leader of Fraud, the menacing Lee (this dude reminds me of some offhand villain from Space Adventure Cobra) is having none of it and dispenses more lackays, one a bishounen named Mr. J to recapture Ai. And I will leave it at that because this is a movie that needs to be seen to believe. I have only describes the first third or so so just when you are about to get near the end be ready for an all-out artsy fartsy, off the wall, psychedelic experiences put to celluloid. Everything can and will fall apart. Now see what happens afterward.

AC_4The title itself makes me wonder… which one is my correct assumption for what it means? Of course one of the character names is Ai, which in Japanese means love. So ‘love city’ and could this girl named Ai/‘love‘ be the ultimate meaning of this movie? The idea that love and manifesting one’s happiness and not forgetting that primal emotion could be the key to all of life. Also, and I am no scholar in this area, but in that little book known as the Bible, in the Book of Joshua, there is a city that is captured and destroyed named Ai. And yes, at the end of the film, literally, all hell breaks loose. Or, could it mean Ai as in I, like your ego and watching that come crumbling down to rebuild a new self in case you have a faulty view of yourself and the world? These are a few of my interpretations and many are kind of deep. Maybe I should watch it again because I could be still missing something.

Fluid animation, a fun soundtrack and a stellar lineup of voice actors make this oddity a huge winner in my book. That and once you get to the ending. guess what? We basically start all over again from the beginning. For real? … yeah. Ai City may be out there and different, but it is never, ever boring. And to get back to the beginning, you remember that quote? Ai City ain’t no imitation, it’s FOR REAL!

dyr Extra #3 : 50 and counting…

Just a quick thanks to all of you who have been stopping by and checking out my little passion outlet here at animedyr. If you know anyone who loves anime from the 1970s/80s, send them a link as the more I can share the better.

As for a preview of what I will be working on… be on the look-out for a probability of a bunch of stuff from 1987 as I am watching or re-watching material for one of my panels next year. I have a few entries for 1987 already, but I know there are bunch of empty gaps including… Dirty Pair: Project Eden, Kimagure Orange Road, Royal Space Force: Wing of Honneamise and Neo-Tokyo to name a few. And of course their are a bunch of one off OVAs from 1985 and 1986 that need to be added because they are fun 🙂 We shall see what happens as I end up adding entries randomly anyway.

And… once I crack into triple digit territory I will have a special entry for #100 as it is at least for me the most influential anime to ever grace me viewing eye and I know it is a beloved popular title that many of us treasure. Let’s see if I can get their before the end of the year and if not perhaps New Years of 2018.

dyr #51 : Fire Tripper

Is love predestined? Can love transcend time? Can you recognize a soul male in the most unexpected place? If you can answer yes to these three questions then you have an amazing life and partner and understand a higher level of law of attraction. Let’s look at a love story that transcends space and time but, watch out for fire or explosions as we enter the world of Fire Tripper.

FT_1The first entry in Rumiko Takahashi’s Rumik World OVA series, 1985’s Fire Tripper represents what I love about the so-called queen of comedy mangaka. True she is well known for her long, very long, series that are some of the most popular titles in all of anime… I want a show of hands of those of you who love Urusei Yatsura, Maison Ikkoku, Ranma 1/2 or InuYasha? While these shows are classic, I personally like her shorter tales. And the Rumik World collection are perfect gold for me. Give me Maris the Chojo, Laughing Target, Mermaid Forest or… Fire Tripper. Also… give me a more serious storyline (I’m melancholic in temperament).

FT_2Suzuko is your typical schoolgirl except for two things. One, her best friend and next door neighbor is a little boy named Shu. Shu adores Suzuko like an older sister and her nature toward him is almost maternal. And two, in the presence of being caught in an explosion and fire, Suzuko can… travel through time. No, seriously. In one of these explosions she is transported back to the medieval civil war where she meets a tough young man named Shukumaru who has an adopted sister named Suzu. As the plot unfolds it turns out that Suzuko and Suzu share a bell necklace and that Shukumaru has the same scar as young Shuhei. Do I see a pattern here?

FT_3So… sorry to spoil the plot here kids, but these two individuals have known each other in two distinct eras of time as young children and the older senpai type relationship. Now with the passing hands of destiny, they can meet each other during the primes of their youth and realize their connection is meant to be. I may have written it out here as a little corny or staged, but trust me if you have not seen Fire Tripper it is farther from the truth. What we see is the growth of what seems like two completely incompatible people learning to look beyond the proverbial first impression.

FT_4Historically speaking, at least for me, Fire Tripper was the first production of Rumiko Takahashi that I gave a chance to. I was never too big on Ranma’s comedic antics and I tried a couple episodes of Urusei Yatsura, but did not feel like watching the near 200 episode count. Fire Tripper would fall on my lap one day and like destiny so to speak I fell in love instantly. And from there I would move onto Maris the Chojo and Mermaid Forest, my two favorites by Takahashi. So now I realize why Madame Takahashi is held in high regard. I just needed the proper medium at the right time so to speak.

When looking back at all the anime that has been created, we often find many a diamond in the rough. Many shine brightly, or uniquely on their own accord. In the course of time loves shines above all and Fire Tripper shines like no other… ‘Shine on You Crazy Diamond’.