dyr #47 : Hyper Combat Unit Dangaioh

Fast fact… the opening sequence to the first episode of Dangaioh is awesome. WHOA talk about a whole lot of fun crammed into about three and a half minutes. This may be my favorite anime of what I call popcorn entertainment… sit down and have a blast with no strings attached and to be honest, no real sense of depth beyond what you see is what you get. Dangaioh takes what was fun about super robot mecha from the 1970s and early 1980s and injects it with a dose of higher octane fuel and sprinking in a little esper super hero as the topping on the cake. Be ready to “Cross Fight” because I want to talk about Hyper Combat Unit Dangaioh.

Dangaioh_1It’s time to separate from the uber serious space opera and so-called real robot genere of mecha and return to something more fundamental and basic. I view Dangaioh the same way as I view punk rock in that regard. And while pomp and circumstance of “big stadium acts” or “progressive rock” like titles of say Mobile Suit Gundam, Macross, or Ideon are very much beloved by me, I also find a relief in something simpler, harder and faster. Enter Dangaioh into the mix and I go… “Yeah lets ROCK!” But keep it simple and fun without over bloating it… like say contemporary action films of Hollywood.

Dangaioh_2In the process of the intro we meet our team of heroes who will pilot the Dangaioh machine. We begin with sensitive and level headed Mia Alice, crybaby and cheerleader Lamba Nom, hot headed Pai Thunder and Roll Kran, who is basically the useless guy. Wait a minute… three girls and one dude? That may be more common today, but for the 1980s that was something new. Usually it was the reverse with only one girl in a group of boys. Needless to say these four have been enhanced with esper qualities of various difference and their main purpose is to be sold to the “Banker” a pirate named, Garimoth, much to the chagrin of the jealous Gil Berg (who eventually sells out because why not, he wants to be the king of the group after all). Needless to say our four  heroes realize they are individuals and go against this predetermined destiny. Freewill wins!

Dangaioh_3And the fun starts from there. And over a period of three episodes we enter a “bad guy of the week” type of format. Again reminiscent of early days of mecha, Go Nagai would be proud to see the pendulum swing back towards a more simple approach to mecha. But, that is not to say it is completely elementary. The story at time digs deep into character psychology and in many cases backstory since our heroes are trying to rediscover who they really are. The artwork is awesome as well. As a fan of Toshiro Hirano’s style, it oozes with his certain touch of character design as well as overall direction. Plus, this has great mecha designs and ideas from Koichi Ohata. Nice to see that man’s skills as an artist than say a director, MD Geist anyone?

Dangaioh_4For those of us in the U.S., Dangaioh along with Gunbuster would be the first Japanese animation released subtitled on that old glorious format of VHS. Thank you U.S. Renditions for making this happen and it is sad you are not around today still releasing anime. These three tapes are collectors items for sure for some of us, including myself, but could you imagine purchasing one episode for about $30. And on VHS to boot, not say Blu-Ray or some other high definition source. How times and the market have changed.

Could it have been more than just only the three episodes? True there was that Great Dangaioh TV series, but nothing for the original. And that is fine, because why keep milking a story to death? Seriously, sometimes a great band may release an album or two and then move on to other personal projects. Dangaioh is very much the same. Rock on forever Dangaioh as we rise our lighters to the air for you. I will love ya till the end of time.

dyr #46 : Black Magic M-66

BMM66_1You know what I love about the OVA format? In particular, the ones that came out in the mid-1980s… besides it was an awesome time for creativity… it is the fact you would get miniature one offs that were self contained. Under an hour was all the investment you had to give, which come on everyone, that’s not much time. And these were not promotions for a bigger project. These were the real deal and short and sweet. Masamune Shirow, known well for Ghost in the Shell and Appleseed, would get his first anime adaptation in 1987’s Black Magic M-66. The rest they say is history.

BMM66_2Upon watching this one-off I am sure one thing will pop up in your mind. HEY NOW! This is very reminiscent of The Terminator. I am sure I am not the first to proclaim this, but it oozes the killer machine on the run, just not with Arnold Schwarzenegger stating, “I’ll be back.” This time we have a female bodied android and she is many times more dangerous and deadly. After a military plane crashes into an unassuming forest we find that two of these M-66s have escaped. Thus the military is hot on the trail along with guerilla reporter Sybel, who is our protagonist. Eventually one of the M-66’s gets taken down, but the other would find it’s way into the big city. And it’s target… I leave that to you to find out. There is no point spoiling this story.

BMM66_3…One thing I will say, wait for the scene in the elevator with Sybel fighting off the M-66. Well maybe not fight… more like, trying to stay at least one step ahead of this robot. This OVA may not have had the biggest budget, but the effect of turning and perspective in that tight space was impressive. I give you props AIC, even though most everyone else seems to give more attention to the other sibling you also produced in 1987, something called Bubblegum Crisis. Now back to our main content…

BMM66_4I will give this OVA three things that it does very well. First, as stated previously, it’s about 45 minutes long. And while it is a clone of cheesy action sci-fi adventure, it does not overdue it with a lot of Hollywood grandeur. It is like a compact sports car; a fun ride that does not get in the way. Second, props to making our main protagonist a tough lady. And being a Shirow work, she is in top shape and can take care of herself. I actually prefer Sybel more than Ghost in the Shell’s Major Kusanagi, because she is all too human and at times makes a mistake. And as mistakes are made I come to the third reason, that of humor. This show takes itself seriously to a minor point and that point is often broken because after all, this is a fun show. The is often the case with Shirow’s manga and I think the adaptations of Ghost in the Shell in particular paint Shirow as too dark. Au contraire. I often wonder if a lot of Shirow’s work is intentional satire.

As a beloved early staple of the VHS era, Black Magic M-66 has fallen out of favor and is often like that rare first album by a band that is passed over due to higher caliber releases that followed in the wake. It’s worth at least one view and maybe a second if you browse through a collection and say, “Well… this is a quickie. Why not?”

dyr #45 : Mobile Suit Zeta Gundam

Whether in the afterworld or someplace else, the soul that used to inhabit this cold shell is probably not at peace. And further out there is a green planet… ” … I love that intro and yes I love this show. While I often think you can never go beyond an original, this is a big exception. This is not a sequel, nor a followup to Mobile Suit GundamMobile Suit Zeta Gundam is a melancholic ride of intensity that can never be topped.

ZG_1For me Zeta Gundam is the pinnacle of Gundam. I have not seen every Gundam series and to be honest I don’t know how I can. This show left a mark on me that I cannot shake even now. At it’s best it might be the most brutal and passionate tale of epic space opera mecha. The aftermath of ZZ Gundam and then Char’s Counterattack left me disappointed as I felt the story had no where else to go, or just didn’t go anywhere. Zeta Gundam, for me, was the top of what mecha once was and became. Even watching mecha related shows from later decades that take on the direct seriousness and drama, for me, are more cookie cutter or fall flat with being a bit too much for what it is (Evangelion is an exception, but that is it’s own brillance).

ZG_2When I first watched Zeta I had no idea what was going on and this was due to the fact that I had zero exposure to the Universal Century timeline. I watched almost a third of the show and proclaimed I had to go back a little further to make some sense of all this. Once I got around to the original Mobile Suit Gundam series and digested all there was I was in much better shape. I would come back to Zeta and digested the first half this time with glee and joy. I would eventually purchase the second half and, no lie, watched the final 25 episodes in what was possibly one of the greatest endurance runs of my life. In the span of a day and a half I would finish that second half and my life was never the same.

ZG_3Zeta takes place about eight years after the original series and for me the real draw is our new protagonist. I love Kamille Bidan. Some say he is troubled, maybe autistic. It may be that, but his confusion and angst mixed with raw ability hit very close to almost looking in the mirror. I get this guy, totally get this guy. Also with the reintroductions of Char Aznable… I mean Quattro Bajenna (love those shades dude), Amuro Ray (who I still find it hard to believe had a back seat role in this chapter), Bright Noa (welcome back captain) and most of the other members of the White Base crew makes everything proper and tidy. And with a plethora of many more new characters in this series as well, it is sad to say that a minority live to the end. Many tears have I shed over and over again over the loss of so many folks including the troubled Four Murasume and the brilliant Emma Sheen.

ZG_4Now I want to discuss the ending. How do you describe it… kind of like a car accident? All that heavy action and movement, which breaks to a moment of reflection and confusion which seems to stand still. Where am I, why do I feel in shock that I can’t even talk, what just happened? How sad to watch our protagonist, Kamille, once filled with such passion and drive become nothing more than a confused shell. And that is our finale. Cut… done. That’s it? Yup and somehow even though many call it a downer and open ended ending, I find it beyond satisfying. This is not some wrapped up in a bow Hollywood every one wins and smiles at the end kind of ending. This is a close the book, take a breathe and sighing out type of ending. You have to take some time to process what has just occurred and not just only the ending, but the whole show as an entirety. And because of the need of this processing, it stays with you. LIKE GLUE!

Zeta Gundam… a product of it’s time, a pinnacle of a generation and a classic for all time. One of my all time favorites now and forever.

dyr #44 : M.D. Geist

Let’s see what anime I can talk about. First let’s draw out a name from this basket here and… AH HELL NO! NO NO NO! For the love of the universe, why in all the world do I have to talk about M.D. Geist? It’s universally lauded, hated by some and obsessively loved by others… I question this last group of folks. WHY? WHY? … Ya know… I quit.

… ok I can’t quit just yet, give me one second here …

MDG_1Damn this is such a bad anime. It’s totally a macho cock swaggering violence fest. It is so badly written, acted, produced etc. that once you watch it a couple times… wait a minute. I watched this crap fest a couple times? Shaking my head, oh if it’s so bad why am I watching it a couple times. That is because ladies, gentlemen and everyone else, it is so bad, so dumb, so… cheesy and entertaining that it just… works. Yeah it’s so bad and so poopy that it’s… amazing. And I don’t mean like The Humanoid, I love The Humanoid as it has class. But M.D. Geist is like one of those really bad ‘B’, no ‘D’ action movies that you have to watch because you become a better individual in the process. After all why watch something decently blah when you can fill you life watching stuff that is amazing and  on the other end of the spectrum terrible that you are laughing at it more often due to the absurdity. Never settle for the middle of ordinary with your anime.

MDG_2So how was this production made. Japan had a lot of talent and money floating around in the mid 1980s. OVAs were starting to allow artists who were more production based like designers and animators to gain the coveted role of directorship. And Koichi Ohata, a genius mecha designer and animator, was given such an opportunity. Did he deserve the shot? Perhaps, but he was among a generation of those who got the opportunity… lucky bastards. And for those of us in the west Ohata would find a fan who would raise his production into legardary status, the head of Central Park Media (rest in peace great company) John O’Donnell. Not only would O’Donnell release and re-release this OVA, but would call for a sequel, because of course everything needs a sequel… well maybe not.

MDG_3And much like the production itself, the character of Geist can’t be killed off so easily. After all he is one of the ‘most dangerous’ after all. A creation of the conflicts of the planet Jerra, a universal killing machine of a man. And not only that, but he is unlikeable, crude, self absorbed and even asexual (just ask Vaiya, the only woman ever present in the whole OVA). The total anti-hero, but no… more like the villain as protagonist. So who does Geist fight for? The Nexrum Army? Nope. The Regular Army? No… wait the Regular Army… how generic? For Vaiya? Nope, he won’t even make a pass on her. He is fighting for his own cause and that cause is… uh…who knows. As long as he can keep fighting and shedding blood, he is living. Yeah, not much of a plot, but guess what the ending is only the beginning, even Geist says so with his final line of dialogue. Maybe now I see why there became a sequel a decade later… good lord. I’m done…

MDG_4Once considered the worst anime ever made, or sometimes the second worst ever made because “no one can agree on the worst” (AWO podcast) M.D. Geist has without question, a reputation, or perhaps a legacy. When it comes to bad anime, or maybe even that silly term ‘Manime”, Geist you are truly the king of all kings. May your crown never grow heavy. If you plan on watching this, go with the original cut in Japanese and not the so called director’s cut. But if you want a laugh… director’s cut in English all the way. One of the best awful dubs ever.

… and I might be a dork here, but anyone who is a fan of the show The Adventures of the Galaxy Rangers if you remember Shane Gooseman… doesn’t he look like Geist?

dyr #43 : Vampire Hunter D

Vampire Hunter D is plain and simple, a horror movie… NO… a western. True there are no cowboys, etc. like in a traditional western, but it has all the elements and style of a these films. Only claiming this movie is a horror flick is completely untrue. Yes there are vampires and beasts and lots of gothic references, but still it’s a classic western in the style of Shane where our hero comes in to town to do the business of saving the innocent and has to leave because his destiny is the road less traveled. The road of the one and only… Vampire Hunter D.

VHD_1D himself is an interesting character. Tall, dark and handsome with a glint of danger in his eyes that also show a humanity that is rare to come by. Kind of like Kenshiro of Fist of the North Star or maybe Captain Harlock, D is an example of restraint. Your Clint Eastwood or Gary Cooper type, where being on the road is your destined life. And that destiny is difficult as he is a mixed breed, the dhampir, or the mix of the vampire with a human. Not only is he an outcast, but he hunts down his vampire lineage. So the title is self explanatory, he is ‘Vampire Hunter D’. And while on this road he meets a girl who requires a hunter due to the fact that she was a victim of a vampire, one Count Magnus Lee. In a soft spoken fashion, he agrees to help.

VHD_2This simple farm girl named Doris Lang lives on a farm with her brother Dan and the news of her being bitten by something so ‘unholy’ and ‘unclean’ makes her not to popular in town. The only exception is the playboy son of the mayor Greco, what a douchebag. But with D by Doris’ side she feels a strong sense of security. And the security is needed as the Count sends his daughter Lamika and the fighter Rei Ginsei right of the bat. The action begins and more monsters and adventure awaits. But D also has a partner… in his left hand. One of the creepiest and odd characters I have ever seen, but so cool. Although I would not want some face looking thing in my hand. just my preference.

VHD_3Let me return yet again to Fist of the North Star. The director for both that series and film and this movie is Mr. Toyoo Ashida. His sweeter character designs can be seen in both, though D and a majority of the characters definitely take after the originals of Yoshitaka Amano’s gothic androgyny. The plots for both series are similar and well they can both be a little bit violent. Though the violence in both I agree to be a part of the situation at hand and the story and are not just for pure disgust and shock, like say Violence Jack or M.D. Geist. D is after all a vampire hunter and that job is not one that is clean and tidy. Overall as a movie it is good and entertaining, but far from perfect. As a favorite during the old days of VHS, this was a part of the limited diet of consumption that we had here in the west. It’s still worth a watch, but don’t let nostalgia blind you. But as a popcorn action flick, it’s a gem. And that cheesy English dub from Streamline Pictures has merit and character.

VHD_4If there is one theme ever present… well maybe two that kind of go hand in hand are romance and sexuality. This is a vampire flick and the concept of these blood suckers deals with the ideas of sexual desire and gratification. Both of which the Count and D both possess, but in different ways. The Count feeds on these desires, like a rabid animal he is never satisfied and craves more and more. D, as the definition of restraint, painfully represses his tendencies and desires, which makes even simple intimacy difficult. He after all has to be above the desires for lust and conquest because his human half gives him a conscience. But that conscience and higher calling of morality sacrifices true love as Doris would soon see. She loves D and D loves her, but he can’t fall victim to the lower instinct of sexual liaison as mere conquest. He shows affection through loyalty instead.

Vampire Hunter D is unique in it’s setting and environment. And as I have said before, think of it like a western and question why we don’t have more tales like this with a horror post apocalyptic bend instead of the usual ‘cowboy’ movie. My only advice is to watch out for anything that may go bump in the night. Don’t get bit now, unless that is your thing 😉

dyr #42 : Dragon Ball

Besides Pokemon and Studio Ghibli, Dragon Ball could be considered the ‘franchise’ in anime that equates a license to print money. Even me mentioning it here made Dragon Ball another $25… just because. Dragon Ball Z in particular cannot die if it tried and there were moments that Akira Toriyama tried to make it happen and FAILED! But I never got into all the testosterone over the top fighting of that series, which made me look at the original Dragon Ball for years as a passover. But, in due time I thought to myself, give that original a chance. Many folks say it is a gem of comedic action. So I purchased those blue Funimation boxes… and I must say I really… liked it. Who would have thought it.

DB1Seriously as repetitive and repetitive and repetitive it was, it was a good show. Did I mention it was repetitive because I will mention it again so watch out! Hot off the success of Dr. Slump and Arale-chan, Akira Toriyama thought he should make a rendition of the traditional tale of The Journey to the West mixed with his humor and splashes of 80s sci-fi. And it paid off… BIG TIME! Although to me the show goes something like this… our heroes go and look for the dragon balls, they collect them and make a wish and then we have a martial arts tournament and then we look for dragon balls again, collect them all and make a wish and then have another martial arts tournament. Over and over again with the final tournament taking place a few years later. Repetitive indeed, but entertaining even more so.

DB2A classmate of the 1986 season that along with it’s Shonen Jump brother Saint Seiya would bring about the revolution of what shonen, or more precisely fighting, anime would become. Heavy sci-fi and mecha began to wane and the super hero in the making journey of a hero who would have a number of adversaries became the new standard. The fighting genre though not born in 1986 became the defacto standard and it is because of Dragon Ball that the damn broke open wide to flood us with a multitude of popular series. Rurouni Kenshin, Naruto, One Piece, etc. all owe a debt to Dragon Ball. But, don’t forget ‘uncle’ Fist of the North Star as well and brother Saint Seiya (because I love Saint Seiya so I have to mention it again). But in terms of influence and staying power, Dragon Ball takes the cake.

DB3And what of our hero? Little Son Goku, the ever innocent feral child who is well… kind of adorable. I mean this kid is like the goofy clueless little brother I wish I had. And it is from Goku’s naivety that we get some of the best humor. The first arc of the series, which introduces a majority of the main cast family is a much watch. If you can’t commit to the whole series, give the first 13 episodes a go if you have yet to see Dragon Ball. If this would have been the series in and of itself it would be perfect. Kind of like an OVA, but as this was a TV series and a popular one at that it would keep going and going and again we get back to that old word… repetition. Make the formula and tweak it ever so slightly each time you have to repeat and you get a journey that could possibly never end.

DB4And eventually this original series did end, albeit  a few years later with the cast all grown up. Oh the end of childhood. After all we had to make way for the further adventures of Dragon Ball Z. So then I look back and think what were my favorite moments? Many abound such as Goku climbing to the sky to train with Korin, watching Emporer Pilaf bumble up again and again a lot like G.I. Joe’s Cobra Commander, the world’s most comfortable pair of underwear, watching Tien Shinhan turn from hard corp baddie into one of the most honorable characters, or Goku wondering why Bulma does not have a tail or ‘balls’. But then there was that visit to the Penguin Village where Arale-Chan lives. I may not want to dive into Dragon Ball Z, but Dr. Slump (which I mentioned earlier) is extremely tempting.

I must say, yes, I am a convert. Even that theme song is so catchy. And like in any proper fighting anime I have to get back to training, which for me is watching more stuff, or pulling what I can from memory. So the big question I have for all you… if you had all seven dragon balls, what would you wish for?

dyr #41 : The Wizard of Oz

Alright now… how many of you have seen the movie The Wizard of Oz? WHOA, lots of hands as I expected as this is a cornerstone for a lot of us who grew up since it’s release on 1939. Now I got one for you… how many have seen an anime version of The Wizard of Oz? Oh yes they exist and from the looks of it I see a couple hands, OK. This interpretation I will be looking at was something I saw way back when I was a little munchkin. And I from what I remember my mom taped it off TV for my sister and I to watch and to be honest I am sure mom wanted to see it too. This is the theatrical version (an alternate TV series was made later) of that little book written by L Frank Baum.

wooz_1Oddly this was released here in the west before Japan, kind of like the original Transformers: The Movie. I wonder if this was a production that was made for us over here first and eventually Japan pulled it off the shelf to give it a go in their market? I can’t say for sure as that is not my area of expertise. What I do know is that it is a product of it’s time, particularly the dub which features Aileen Quinn (remember Annie?) as Dorothy and long time Hollywood alum Lorne Greene (Bonanza and Battlestar Galactica) as the Wizard. Both are well known names of the time, but today… anyone remember these two? And yes this dub is cheesy, like melted cheddar, maybe limburger, ok actually Velveeta, but you know what… who cares.

wooz_2As for the Japanese version I have never seen it. And with something this odd finding the original track in this section of the globe could be a little close to improbable. I don’t say impossible, because in many ways the impossible has proven to be possible in regards to coming across classic anime. In time all things come to your collection, you have to work for it a little more. And from a little research it seems Jo Hisaishi did the music in that version (the English track I doubt is his music as it does not sound like Jo, or it could be a redo on the lyrics?). And I forgot to mention the animation was done by that little studio called Topcraft. You know they did Nausicaa of the Valley of the Wind and Miyazaki hired up a bunch of their best talent to make Studio Ghibli. This was also the studio that made many classic Rankin Bass cartoons like The Last Unicorn, The Hobbit and Flight of Dragons amongst others.

wooz_3Now… I am sure you know this story… Kansas girl with her puppy gets swept up by a tornado in her house and lands in a strange land. And she gets some fancy shoes by killing an evil witch with this house and she has to walk a yellow bricked road to meet The Wizard of Oz himself to get her back home. Kind of like Escaflowne, Rayearth, or Leda: Fantastic Adventure of Yohko, except this story goes way back to the early 20th century and our heroine gets those fancy shoes. Ruby slippers that seem to fit her perfectly like she hit the clearance rack and struck gold finding a pair of designer brand pumps for next to nothing. What a vacation find! And of course Miss Dorothy has golden locks instead of the familiar brown of the Hollywood classic. Some sources say the original is blonde, but I leave that up to you.

wooz_4As a movie I liked it then and I still like it now… with some caveats. Could be nostalgia, but it is simple and charming. And also far from perfect. But it works and that’s all that matters. But what about a younger generation’s opinion of this 1982 version? I have shown it to my niece and she liked it though she is not the big anime fan except for Pokemon… but then again Pokemon is beyond anime itself. But someday… I will some how, some way, get her to love anime as well. It all comes down to finding the right show or movie. But if you have children yourself or work with children I would say give this one a chance as an alternate because the work needs to watch more animation… PERIOD!

In the end we have a cheesy rendition of a classic western tale, mixed with a little singing, decent character designs and one scary Wicked Witch of the West. So toast up some bread, melt that cheese, eat that grilled cheese sandwich and have a “Wizard of a day…”.

 

dyr #40 : The Castle of Cagliostro

There is one truth to this movie… it is magical. It is such a refined piece of work that has one name written all over it. That name is Hayao Miyazaki and this was his rookie outing as a director of a feature film. And he did it well. Just look at the care and precision and you would think this guy would go on to make and define the concept of what many consider top quality anime. And that would be the case. Hot off the press from his time working on Future Boy Conan, Miyazaki would leave his swan song for the 1970s with that little Lupin III movie that could, The Castle of Cagliostro.

coc_1I often wonder how many people know about this film? Definitely diehard Miyazaki fans and older fans who have been around for a while we know all and love it (at least I hope you all love it?). But, this is a true story, I wonder about younger or casual audiences. Once at my local anime shop they had a Jeopardy game going and the final question was… What was Hayao Miyazaki’s directorial debut? I was out of the competition, but I was all over it. The room was mostly those in their teens and early 20s and they could not come up with The Castle of Cagliostro. Being well into my 30s I blurted out the answer and one person asked how did I know? My answer… I’m old (wah wah wahhhh…)

coc_2In all seriousness I am not old, just classic. Just the same as The Castle of Cagliostro. This is a fine film and Lupin in this film is honored more like the original Arsène Lupin of Maurice Leblanc than that of the manga of Monkey Punch; he a true gentleman. And as much as I prefer the harder edged Lupin character, I can’t help but love this version of the master thief. In a similar way I look at this film kind of like my love of James Bond movies. I prefer the harder Bond be it George Lazenby, Timothy Dalton or Daniel Craig. But sometimes the films of Sean Connery or Roger Moore carry the character so well that I can allow a little more chivalry. Plus, Lupin has that awesome green jacket. I love that green jacket.

coc_3Besides all the Lupin-ness that is Castle of Cagliostro, this movie is pure Miyazaki. The look, the movement, the comedy is what we all have come to expect from the great director himself. From the word go Lupin and Jigen rob a casino and get away only to realize all the fortune that they heisted is plain and simple… fake. Counterfeit. And in a crazy fashion they cast the cash to the wind and we get into the titles with that beautiful ballad Fire Treasure. What a start! And then you get into one of the greatest car chases ever, antics working with and against Lupin’s rival Inspector Zenigata and a clock tower fight with the Count of Cagilostro that has been referenced in various forms from The Great Mouse Detective to Batman: The Animated Series. Funny thing in regards to The Great Mouse Detective is that Disney had to animate it with CG because it was difficult, yet almost a decade earlier the crew at TMS who made this whole movie did it all by hand in less than a year. Props to you Japan, I love ya for not denying the fact that stuff can get done!

coc_4Now some thing that came to me as I am an astrology buff. Yes I find weird connections to astrology because I am a dork. Isn’t it funny as how the seal of the Count of Cagilostro is a goat-fish… Capricorn. He is after all power ambitious, reserved and a little kinky (chasing after Clarisse). All descriptive of a Capricorn. Capricorn is also the sun sign of our director Miyazaki-sama as well. Too many connections. Though I am not saying Miyazaki is like the Count. Because that Count is a dirty old scoundrel of a man and Miyazaki is the premier definition of a taskmaster professional.

It’s not my place to say anyone should see a particular anime. We have our own unique tastes, BUT… Castle of Cagliostro is a very big exception. Watch it, own it, download it, spread it on toasted bread if that is your fancy as I don’t care how you appreciate this movie. I only care that you do appreciate this movie.

dyr #39 : Night on the Galactic Railroad

notgr_1I lay awake at night and often think and wonder. A child’s question of, “Mommy, what happens to us when we die?” Or, “Why do we have to suffer?” come to mind. Deep questions, but very important to have a sense of knowing that death is not an end and that life’s lessons can be hard, but beneficial for growth. In the end we all have to make sacrifice and when that sacrifice is to better another for no reason beyond providing a moment of respect, then that is unconditional love and true friendship. This is my friend, who I love, Night on the Galactic Railroad.

notgr_2Childhood can be a difficult time when you are a small and quiet child. Particularly when you grow up as a boy as you can be an easy target for bullying from other children. This is even more true when you are not involved with your fellow peers. Giovanni is such a child. He often falls asleep in class, not because he is a slacker, but because he has to sacrifice for his family. With an absent father and sick mother, young Giovanni has to work to help the family unit. He is essentially alone in the world around him, but his life is about to be turned upside down. On a quiet night he is welcomed to join an incredible journey as a locomotive arrives in a field he is laying in out of no where. And like in Galaxy Express 999, this train does not run on tracks, but flies through out the expanse of outer space… the only way to travel.

Aboard this train he meets his classmate, Campanella, who has always shown compassion towards Giovanni and the two of them enjoy a travel to the stars and beyond. Along the way they meet other travelers and discover the beauty of what the universe has to hold. Each circumstance brings it’s own experience or story as Giovanni and Campanella both enjoy their voyage. Is this all a dream? Could it be the line between life and death? Why are these two boys on this train ride into the great vastness of the universe?

notgr_3Let us look at the concept of sacrifice once again as we all know you can’t get something for nothing or achieve without giving up something in return. The basic law of compensation. The ‘Flame of Scorpio’, which may be my favorite bit of dialogue in the whole movie, I think wraps up the whole idea of giving for a greater cause. Of any ‘children’s story’ I have come across, this has to be the most spiritual, deep and melancholy. As C.S. Lewis once said, “A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.” So true for Night on the Galactic Railroad.

notgr_4Plus, this movie has anamorphic cats for it’s main cast. I’m a cat person, so there is a little bias, but from early on the production crew wanted to portray our main cast as other than obvious humans. After all a cat can have a human experience too, as they have a particular sense of their own consciousness. Mix that with the references of Miyazawa’s Buddhist ideals and a sprinkle of Christian symbolism makes this a film that can be understood no matter your beliefs. Faith and spirit always return back to the one source. And that source is the beauty of the darkness and space and the reality of the material and closeness of the cosmos and our own Earth. Night on the Galactic Railroad reminds us about the joy and terror of the unknown as that unknown brings exponential rewards.

How does one describe such subtle beauty? In the vastness of the dark of space, or on our planet Earth, we can often feel out of place or alone. But in all the space between most of us there is always someone who will want to share a moment of time with you? And some of those moments might be the best and/or the last time another may share only with you and you alone. Never underestimate the power of those who love you or, the power of the universe itself or… the power of this movie.

dyr #38 : Space Adventure Cobra (movie)

For most of us, and long before the newer releases, we had two avenues to see Cobra. You either started with the movie being discussed here, or the TV series. And though it is the same character and surroundings, both options are very different. For me I went with the TV series first. When I got to the movie I thought… wait a minute, this is kind of… not the same. Almost like watching the Ghost in the Shell movie compared to the GiTS: Stand Alone Complex series, there is something a little not unlike the other here.

sac_m1As stated earlier the setting, characters and feel are still very much like the TV show, but Cobra the movie, is much more surreal. Surreal to the point of being psychedelic? And perhaps I dare to say slightly darker tone. Wait, how can Cobra be dark? This is Cobra, one of the heights of fun space adventure science fiction. But, if you see the film you will understand. Even the look, going back to the surreal and psychedelia, wraps itself into the movie. It’s director Osamu Dezaki’s vision through and through filled with vivid color and odd moments of spectacle. Without question it is one of the most visually appealing films of the 1980s. You can watch this film on silent and still have an experience you will have a hard time to explain with mere words. And as this is a space sci-fi movie, the experimentation of techniques used here are… far out, but not lost in a mess.

sac_m2The story is a reimagined tale of the first arc of the Cobra TV series and manga. Cobra gets caught up with the beauty triplets of Jane, Catherine and then Dominique as they try to search for the lost treasure… no wait that was dropped… they are searching for love? Well the girls are and guess who is the one who is loved? It’s Cobra himself; I wonder if Lady Armaroid is jealous (Cobra’s female robot sidekick). But, love? I said that the TV series was sexy and this movie is in a way as well, but it’s a more monogamous, perhaps tri-gamous, as Cobra is not being the usual ladies man. How can he? We have to keep to a tight schedule on this movie and only the sisters are for him to admire. It works.

sac_m3Of course the crew are aided with advice from Professor Topolov/Toporo… and where did this guy come from? He is always floating in a bubble and he is kinda creepy. Almost like a chaperone for Jane and the girls… who thought up this guy? And then Cobra has to duel it out with the classic villain of no compare, Crystal Boy/Bowie! That dude is creepy no matter where he is presented, be it TV or movie. Pure genesis having a naked crystal clear man as your antagonist (very,  very bold).

sac_m4My only gripe is that the Japanese voice cast for the film is not the same as the TV show. It’s well done, but it is odd who a television series and a movie made the same year could not share the same cast? A little disappointing, but hey the English dub is not too bad. So I can watch Cobra in English? OK, plus it’s Dan Woren’s voice as Cobra. It’s no substitute for the TV series, but it is equal in it’s own way. You have to see both to understand. But what makes either version great, and in particular this movie, is the production quality. Tokyo Movie Shinsa back in the day always had a great look and with Dezaki as director, it shines even brighter.

A toast to Space Adventure Cobra… and maybe be like Cobra and enjoy a cigar, or maybe not as it is not healthy.